"Oscillations - Myzel (Triptych)" Painting
Painting, Acrylic on Canvas
280 W x 100 H cm
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€11,305
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"Myzel" takes its title from the fungal mycelium: a hidden living network that forms symbiotic relationships through continuous exchange. Rather than illustrating this, the triptych adopts its underlying principle of connection, transformation, and mutual dependence. Across three panels, gestural p...
Year Created:
2017
Subject:
Mediums:
Multi-paneled Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
280 W x 100 H x 5 D cm
Number of Panels:
3
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
14-day return policy. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Master student of Prof. Rissa (Düsseldorf Art Academy). Contemporary German fine art, abstract paint
Since graduating from the academy, my work has moved between gestural abstraction, drawing, and conceptual reflection. For me, painting is a way of entering archetypal inscapes.
The starting point of my painting is an engagement with moments at the limits of experience—moments in which the philosophical mind-body problem becomes an immediate, lived reality.
In series like "Oscillations" (2017–2018), ideas from biology, cybernetics, Zen Buddhism, information theory, and philosophy serve as a matrix in which the painting emerges. This tension manifests in titles ranging from the spiritual ("Prana", "Negentropia") to the purely organic ("Assimilation", "Myzel").
My paintings follow an open process in which gesture and drawing grow out of a loose initial idea. Chance and error frequently take over, and I often destroy resolved passages when the painting stops working as a whole. Ideas initiate the process, but the image takes over. I hold it in a state of suspended order, where chaos and structure remain in equilibrium. Titles emerge only at the end, when the work begins to speak for itself.
Based in Cologne, Germany.
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