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Last year I started a series of works attempting to depict some Frank Zappa guitar solos. That was slow working and hard working, too. I was lucky to escape to China for the end of the season.

Coming back, all had changed. The musical structures became the housing of memories of the Lao Shan mountains resulting in works of transcendence.

In his painting, musical structures of a guitar solo by Zappa, performed in St. Etienne, house a view from Lao Shan, passing through burning eyes and dry wildlife around Taiqing Gong to the almost unseen Yellow Sea. It by this acquires a spiritual, Taoist dimension.

Just by playing with words I allways called it Tian Shan, Celestial Mountains.

The work is performed on MDF and by this heavy by weight. It needs a solid wall and two well fixed screw to hang. It comes in a protective crate made by the author.

The work has passed it's half-year drying period. The anthracite area top - one third left still has some haptic stickiness, that may remain for longer. This is due to the experimental use of a painting agent and doesn't affect visual quality or the possibility of dust removal.
Last year I started a series of works attempting to depict some Frank Zappa guitar solos. That was slow working and hard working, too. I was lucky to escape to China for the end of the season.

Coming back, all had changed. The musical structures became the housing of memories of the Lao Shan mountains resulting in works of transcendence.

In his painting, musical structures of a guitar solo by Zappa, performed in St. Etienne, house a view from Lao Shan, passing through burning eyes and dry wildlife around Taiqing Gong to the almost unseen Yellow Sea. It by this acquires a spiritual, Taoist dimension.

Just by playing with words I allways called it Tian Shan, Celestial Mountains.

The work is performed on MDF and by this heavy by weight. It needs a solid wall and two well fixed screw to hang. It comes in a protective crate made by the author.

The work has passed it's half-year drying period. The anthracite area top - one third left still has some haptic stickiness, that may remain for longer. This is due to the experimental use of a painting agent and doesn't affect visual quality or the possibility of dust removal.
Last year I started a series of works attempting to depict some Frank Zappa guitar solos. That was slow working and hard working, too. I was lucky to escape to China for the end of the season.

Coming back, all had changed. The musical structures became the housing of memories of the Lao Shan mountains resulting in works of transcendence.

In his painting, musical structures of a guitar solo by Zappa, performed in St. Etienne, house a view from Lao Shan, passing through burning eyes and dry wildlife around Taiqing Gong to the almost unseen Yellow Sea. It by this acquires a spiritual, Taoist dimension.

Just by playing with words I allways called it Tian Shan, Celestial Mountains.

The work is performed on MDF and by this heavy by weight. It needs a solid wall and two well fixed screw to hang. It comes in a protective crate made by the author.

The work has passed it's half-year drying period. The anthracite area top - one third left still has some haptic stickiness, that may remain for longer. This is due to the experimental use of a painting agent and doesn't affect visual quality or the possibility of dust removal.
Last year I started a series of works attempting to depict some Frank Zappa guitar solos. That was slow working and hard working, too. I was lucky to escape to China for the end of the season.

Coming back, all had changed. The musical structures became the housing of memories of the Lao Shan mountains resulting in works of transcendence.

In his painting, musical structures of a guitar solo by Zappa, performed in St. Etienne, house a view from Lao Shan, passing through burning eyes and dry wildlife around Taiqing Gong to the almost unseen Yellow Sea. It by this acquires a spiritual, Taoist dimension.

Just by playing with words I allways called it Tian Shan, Celestial Mountains.

The work is performed on MDF and by this heavy by weight. It needs a solid wall and two well fixed screw to hang. It comes in a protective crate made by the author.

The work has passed it's half-year drying period. The anthracite area top - one third left still has some haptic stickiness, that may remain for longer. This is due to the experimental use of a painting agent and doesn't affect visual quality or the possibility of dust removal.
Last year I started a series of works attempting to depict some Frank Zappa guitar solos. That was slow working and hard working, too. I was lucky to escape to China for the end of the season.

Coming back, all had changed. The musical structures became the housing of memories of the Lao Shan mountains resulting in works of transcendence.

In his painting, musical structures of a guitar solo by Zappa, performed in St. Etienne, house a view from Lao Shan, passing through burning eyes and dry wildlife around Taiqing Gong to the almost unseen Yellow Sea. It by this acquires a spiritual, Taoist dimension.

Just by playing with words I allways called it Tian Shan, Celestial Mountains.

The work is performed on MDF and by this heavy by weight. It needs a solid wall and two well fixed screw to hang. It comes in a protective crate made by the author.

The work has passed it's half-year drying period. The anthracite area top - one third left still has some haptic stickiness, that may remain for longer. This is due to the experimental use of a painting agent and doesn't affect visual quality or the possibility of dust removal.

2636 Views

196

View In My Room

Tian Shan. Boss me, Zappa, to the Celestial Kingdom Painting

Christian Kabuß

Germany

Painting, Oil on Other

Size: 144 W x 134 H x 1.9 D cm

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$10,641USD

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2636 Views

196

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ABOUT THE ARTWORK
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This panel painting belongs to a series of works attempting to depict “St. Etienne”, a lyrical guitar solo by Frank Zappa. The studio work was paused due to a journey to China, and, coming back, the musical structures became a housing for the memories of the Lao Shan mountain. Hence the artwork aq...

Year Created:

2016

Subject:
Mediums:

Painting, Oil on Other

Rarity:

One-of-a-kind Artwork

Size:

144 W x 134 H x 1.9 D cm

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

As honest as possible, with all wits and senses, with body and soul, layer by layer from the primal ground on towards a surprising imagery off the beaten tracks. My foundations as an artist were laid during my era as a city draftsman. Wandering through urban environments with a focus on the often overlooked, the hidden places, I collected data in the form of pencil studies and notes on paper but also as memories and engravings in kinesthetic physicality. Processing this field research in the studio created my way of working, its pictorial repertoire and the expressive gesture to start with. The physical wandering of the beginnings has been expanded to an artistic drift, touching new subject matters such as a phenomenological approach to anatomy, a long-time outdoor research on the relations between nature and human, the visuality of music at midnight, the expressiveness and storytelling of dance … As drifting goes, I take the liberty of touching new fields and concepts – but also the freedom of leaving them for new adventures (to return whenever I like). As every challenge has its specific character I grow on meeting them with a variety of materials, media, and style: pencil and watercolor studies, often in form of comprehensive series, whose minimalist intuitions pioneered a fine, unobtrusive side line for painting; large drawings in chalk and gouache on paper, that with their often rustic semi-figurative approach reveal my Weißensee academy of art roots; panel-paintings of different sizes in oil on wood (with their acrylic descendants) – the center of my doing, dancing out all that has been prepared; the aftermath of small mixed-media artwork on paper that uses cutting as a last step of composition. Physicality, intuition, concepts and gestures these days lead to a rich and more non-figurative way of expression. But, as it was from the beginning, it is still and for all time my greatest goal to transmit Lebenswelt, lifeworld, into a visual universe of painting and balance its elements in their new resort to make them resound.

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