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To me, work is an expression of abyss that leads to a gesture of healing behavior through an objet thread, and deep inside or inside of oneself. Beyond the memories I saw as a child, the deaths of precious people sometimes appeared in the memories of life as anxiety and fear. Life and death in a work through the object of thread. The layers of the square face, which were expressed in love, memory, etc. and revealed by the colored surfaces created by the bumps of the yarns attached over time from childhood to the present, became various allergies of one's work.This work has moved into my own world to calm my depression, and sometimes painting became a happy routine. But the memories of the latent anxious childhood once hurt my soul. The feeling and fear of fear that my happiness was going to disappear sometimes appeared as an obsession, and I repeated myself controlling this attitude. These repeated ideas are illustrated in the work Lovestory that supported me with self-reflection. It is a picture of a trumpet flower wrapped in pottery and looking
To me, work is an expression of abyss that leads to a gesture of healing behavior through an objet thread, and deep inside or inside of oneself. Beyond the memories I saw as a child, the deaths of precious people sometimes appeared in the memories of life as anxiety and fear. Life and death in a work through the object of thread. The layers of the square face, which were expressed in love, memory, etc. and revealed by the colored surfaces created by the bumps of the yarns attached over time from childhood to the present, became various allergies of one's work.This work has moved into my own world to calm my depression, and sometimes painting became a happy routine. But the memories of the latent anxious childhood once hurt my soul. The feeling and fear of fear that my happiness was going to disappear sometimes appeared as an obsession, and I repeated myself controlling this attitude. These repeated ideas are illustrated in the work Lovestory that supported me with self-reflection. It is a picture of a trumpet flower wrapped in pottery and looking
To me, work is an expression of abyss that leads to a gesture of healing behavior through an objet thread, and deep inside or inside of oneself. Beyond the memories I saw as a child, the deaths of precious people sometimes appeared in the memories of life as anxiety and fear. Life and death in a work through the object of thread. The layers of the square face, which were expressed in love, memory, etc. and revealed by the colored surfaces created by the bumps of the yarns attached over time from childhood to the present, became various allergies of one's work.This work has moved into my own world to calm my depression, and sometimes painting became a happy routine. But the memories of the latent anxious childhood once hurt my soul. The feeling and fear of fear that my happiness was going to disappear sometimes appeared as an obsession, and I repeated myself controlling this attitude. These repeated ideas are illustrated in the work Lovestory that supported me with self-reflection. It is a picture of a trumpet flower wrapped in pottery and looking
To me, work is an expression of abyss that leads to a gesture of healing behavior through an objet thread, and deep inside or inside of oneself. Beyond the memories I saw as a child, the deaths of precious people sometimes appeared in the memories of life as anxiety and fear. Life and death in a work through the object of thread. The layers of the square face, which were expressed in love, memory, etc. and revealed by the colored surfaces created by the bumps of the yarns attached over time from childhood to the present, became various allergies of one's work.This work has moved into my own world to calm my depression, and sometimes painting became a happy routine. But the memories of the latent anxious childhood once hurt my soul. The feeling and fear of fear that my happiness was going to disappear sometimes appeared as an obsession, and I repeated myself controlling this attitude. These repeated ideas are illustrated in the work Lovestory that supported me with self-reflection. It is a picture of a trumpet flower wrapped in pottery and looking
To me, work is an expression of abyss that leads to a gesture of healing behavior through an objet thread, and deep inside or inside of oneself. Beyond the memories I saw as a child, the deaths of precious people sometimes appeared in the memories of life as anxiety and fear. Life and death in a work through the object of thread. The layers of the square face, which were expressed in love, memory, etc. and revealed by the colored surfaces created by the bumps of the yarns attached over time from childhood to the present, became various allergies of one's work.This work has moved into my own world to calm my depression, and sometimes painting became a happy routine. But the memories of the latent anxious childhood once hurt my soul. The feeling and fear of fear that my happiness was going to disappear sometimes appeared as an obsession, and I repeated myself controlling this attitude. These repeated ideas are illustrated in the work Lovestory that supported me with self-reflection. It is a picture of a trumpet flower wrapped in pottery and looking

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66

View In My Room

Original
Prints

Exposed in light–code of life 13 Painting

Yeongok Kim

South Korea

Painting, Acrylic on Canvas

Size: 92 W x 92 H x 4 D cm

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₹5,21,638

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316 Views

66

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

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Artist featured in a collection

ABOUT THE ARTWORK
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To me, work is an expression of abyss that leads to a gesture of healing behavior through an objet thread, and deep inside or inside of oneself. Beyond the memories I saw as a child, the deaths of precious people sometimes appeared in the memories of life as anxiety and fear. Life and death in a wor...

Year Created:

2020

Subject:

Abstract

Styles:

Abstract

 

Mediums:

Acrylic

, 

Oil

, 

Gesso

, 

Canvas

 

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

92 W x 92 H x 4 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

South Korea.

Need more information?

Contact us.

Need more information?

Contact us.

I worked as a towel print designer for seven years, developing a keen sense for color and pattern. After getting married and devoting myself to raising a family, I began painting in 2004 as a way to express the emotions that arose during this new phase of life. Facing and visualizing the multitude of emotions within me has brought me a deep sense of comfort and peace. Thread, for me, is more than just a material—it is a medium through which I weave memories and emotions. I create various geometric forms and textures by arranging, cutting, and layering thread on canvas. At times, I shape the thread into images of mountains or trees, drawing inspiration from nature. These forms are a recollection and reconstruction of emotional memories, and through them, I attempt to illuminate a hopeful tomorrow filled with light.

Artist Recognition
Featured in the Catalog

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Artist featured by Saatchi Art in a collection

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