133
"31/2018" Painting
Painting, Acrylic on Wood
15 W x 21 H cm
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$1,164 USD
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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my work is inspired by minimalist artists like Agnes Martin and Sol LeWitt. The serial mark making process as an act of compulsion is the main signature of my work. The moving between marking and erasure, building up to five or six layers in each work exemplifies the transitory and ephemeral nature...
Year Created:
2018
Subject:
Styles:
Mediums:
Painting, Acrylic on Wood
Rarity:
One-of-a-kind Artwork
Size:
15 W x 21 H x 2 D cm
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
14-day return policy. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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born in Heidelberg, Germany
Living and working in UK
My intricate drawings explore mark-making as compound memory. Constructed from layer upon layer of rectilinear geometries, obsessively serialised marks and lines, my work incorporates process as signifier of human response to both the experiential, as defined by materials and memory, and the mind’s abstract construction of form
and meaning.
These are the words used by art historian Martin Kerrison who wrote about my work. Simply said I am interested in serial mark making and memory.
More recently my work has been described as follows:
"Between passivity and action. Hanna’s linear proposals not to primal marks. They are straightforward and not at all, as they project and deny a complexity of the art making process. Paint and graphite are adhered at different stages then often partially removed. The aesthetic derived from their removal is not entirely in the artist’s control. The result is the reveal of a process of assertion and denial.” extract from an essay by Jillian Knipe, artist and writer
Recognition:
Featured in the Catalog
Showed at the The Other Art Fair
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