"Scarlet Eyes" Painting
Painting, Acrylic on Canvas
83.8 W x 96.5 H cm
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
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This artwork explores the theme of digital identity, self perception and cultural representation in the digital era. The subject’s fashionable appearance suggests themes of status, self-expression and confidence. However, the pixelated-like background and fragmented overlays introduce a layer of dis...
Year Created:
2022
Subject:
Styles:
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
83.8 W x 96.5 H x 2.5 D cm
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Outdoor Safe:
No
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
14-day return policy. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Ghana.
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Need more information?
Gandor Collins is a multidisciplinary Ghanaian artist based in Tema, Ghana. He received his HND in industrial Art (Painting) from the Takoradi Technical University and later moved to Kumasi where he completed his BFA in Painting and Sculpture inside KNUST, under the teachings and guidance of the blaxtarlines artist collective. He has shown in both local and international exhibitions such as “Woven Sensibilities”, South Africa 2023, “Virtual Realities Urban Navigations” Ghana 2024 and solo exhibition “Again but Differently” Ghana 2025. He is the winner of the Absa l’atelier ambassador art prize, 2022.
Gandor’s work expands the potential and language of painting by transforming research into visual archives rooted in socio-political memory and material experimentation. Merging various techniques and medium, combined with collective social narratives, he interrogates shifting economic realities, the environmental impact of consumption and textile waste economies, and public spectacle, confronting cycles of erasure and transformation not only within contemporary Ghana but the world at large. Through exhibitions and layered visual strategies, he probes dialogues into the future by positioning art as both archive and critique, documenting the tensions between the past, the present and the landscape in an evolving global context
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