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Burnout 2 Print

Nimmi Hutnik

United Kingdom

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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9 x 12 in (€59)

9 x 12 in (€59)

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link - Artist featured in a collection

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is the second painting in the Burnout Triptych. It signifies those private moments just before turning in for the night when all is quiet and alone. The pathos is conveyed by the watery translucency of the drawing inks.

Year Created:

2019

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am one of the artists included in the Bloomberg New Contemporaries 2020 Exhibition. I was also included in the Trinity Buoy Wharf Drawing Prize Exhibition of 2019. Trained originally as a psychologist, I focus on human states of mind such as exhaustion, angst, grief, joy and resilience. I ‘paint’ with oils, acrylics, bamboo pens, inks, my iPad, acrylic markers and traditionally marginalised tools such as Sharpies and sketchbook paper. I create a balance of emptiness and coloured space to embody the Japanese concept of Wabi Sabi. Wabi Sabi is a philosophy and an aesthetic that emphasizes the impermanence, imperfection and incompleteness of life. Another Japanese concept fascinates me. Kintsukuroi is the Japanese art of mending broken ceramics with gold such that the value of the mended piece is greater than that of the original. As a philosophy, it is seen as similar to Wabi-Sabi, which is the embracing of the flawed or the imperfect. Not only is there no attempt to hide the damage, the repair is highlighted and celebrated as part of the history of the object. While painting, I mindfully attend to both my internal and eternal worlds to open a space in which adversity is transformed into something beautiful.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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