Alberto Capitani

Born in Brescia in 1957 and based in Milan since early childhood, Alberto Capitani is a digital artist whose work bridges classical disciplines and cutting-edge technology. With a background in music and philosophy, Capitani explores the intersection of aesthetics, irony, and conceptual depth through artificial intelligence.

A graduate in piano from the Giuseppe Verdi Conservatory in Milan, he also pursued studies in composition and electronic music. His academic journey extended to the University of Milan, where he delved into mathematical logic and theoretical philosophy. For over four decades, Capitani taught piano in music-oriented middle schools, nurturing a generation of musicians.

In recent years, he has transitioned into the realm of visual arts, harnessing AI tools such as DALL·E and ChatGPT to create a diverse portfolio exceeding 1,200 works. Each piece serves as an experiment in blending intuitive aesthetics with philosophical inquiry, challenging viewers to engage with multiple layers of meaning.

Central to his current practice is the ongoing project "L'Altro Sguardo..." ("The Other Gaze..."), a collaborative exploration aimed at stimulating and guiding the creative potential of artificial intelligence. Capitani adop...

Diploma in Piano, Giuseppe Verdi Conservatory, Milan

Completed lower course in Composition, Giuseppe Verdi Conservatory, Milan

First-year studies in Electronic Music, Giuseppe Verdi Conservatory, Milan

Diploma in Tourism Studies, Milan, Italy
This diploma represented a deliberate choice to pursue a modern educational path focused on contemporary subjects such as foreign languages (French, English, German), law, economics, and finance. It was a conscious departure from the traditional classical education (Latin and Greek), reflecting my inclination to challenge conventional norms and explore diverse fields of knowledge.

University-level coursework in Mathematical Logic and Theoretical Philosophy, University of Milan

Ongoing Digital Presence
While I have not pursued traditional gallery exhibitions, my work has reached a wide online audience through continuous participation on platforms such as Fine Art America and Art Majeur.
My series of over 1200 AI-generated artworks is presented as an open, evolving collection rather than a closed curatorial event, inviting viewers to engage in a fluid and conceptual journey through aesthetic and technological experimentation.