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"Long Meetings in Short Spaces" ⁠(mixed media, 2008) Collage

John Mcconnico

United States

Collage, Photo on Paper

Size: 30.5 W x 45.7 H x 0.3 D cm

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₹59,013

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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A visual excerpt from the Inspiration Engine: ⁠ ⁠ Culled from my archive of collages, sketches, mood boards, and creative nuggets—a large scrapbook covering more than 20 years of work (1997-present). These forms, content, and ideas still inform my cross-disciplinary work ranging from fine art, art d...

Year Created:

2020

Subject:
Mediums:

Collage, Photo on Paper

Rarity:

One-of-a-kind Artwork

Size:

30.5 W x 45.7 H x 0.3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

John Beck McConnico is a painter, photographer, creative director, and watchmaker who lives and works in the San Francisco Bay Area. Originally from Memphis, Tennessee, he has lived in California since 1993. He works in a variety of mediums, including paint, collage, digital media, and assemblage. His artwork is included in both international and international collections. Being inspired by urban and rural architectural structures, his mixed media artwork reflects the industrial fabric that makes up our current landscape. It is this balance between Past/Future and Manufactured/Rustic that informs his current work. ARTIST STATEMENT: "I never set out to be a Surrealist. The phantasmagoric quality of my latest work manifested itself organically, evolving from representational streetscapes & architecture to a more dreamlike and otherworldly state. From a process standpoint, I operate freeform in the execution of each piece—starting with gestural sketches, applying digital techniques, and then transitioning to a true mixed media format. The outcome are objects that are slightly ambiguous in both medium and subject matter. The conversation with my subject matter has also changed over time, in which I’ve allowed myself to let the scene and structure inform the journey along the way. Akin to how the Abstract Expressionists let the paint speak to them during the process of mark-making, I allow my subjects and stories to unfold during the creation process. It’s just my job to listen. Perhaps these industrial characters are fueled by their own aspirations as well? Therein lies the state of Wishful Structures."

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