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Van Gogh Eighteen - Limited Edition of 1 Artwork

Massimo Magee

United Kingdom

Mixed Media, Digital on Other

Size: 100.1 W x 106.4 H x 0.3 D cm

Ships in a Tube

€986

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Van Gogh Eighteen is an experimental portrait of Van Gogh by Massimo Magee, created using avant garde new media techniques as part of Saatchi Art's groundbreaking The Other Avatars NFT project. This is the physical version of the NFT Vincent #1408. The image shown here is a photograph of the actual...

Year Created:

2021

Subject:
Mediums:

Mixed Media, Digital on Other

Rarity:

One-of-a-kind Artwork

Size:

100.1 W x 106.4 H x 0.3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Massimo Magee is a writer, artist and musician based in London. He is the author of Manifesto (New Unities), a manifesto for his audiovisual digital art practice, published in 2017, the limited edition multimedia novel The Triptych, and a new audiovisual novel forthcoming from Eleusinian Press. He has been active in experimental and avant garde music for over a decade, and records for New York based 577 Records. In audiovisual art, his practice focuses on the creation of audiovisual digital art objects, each one designed to be read by the computer as both a visual still image and as a piece of audio, these being two readings of the same file in each case. The work draws equally on the twin lineages of abstract image making (particularly abstract expressionist painting) and experimental music, including avant garde classical and free jazz. This practice proposes an entirely new and thoroughly modern form of art in that it posits art objects that can only truly been 'seen' in their original state by the machine: while human observers require the audio and visual readings of the file to be separated out in order to perceive them, the computer sees both audio and visual aspects enmeshed within and between each other in the one file. In this way, the pieces examine the gulf between organic and electronic perception.

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