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At first sight we see the painted mask, then, looking better, we see the engraved hat that completes it.
The mask satisfies the desire not to appear, to create a mystery around you. What we all do, some more, some less.

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Mask Painting

Christine Noel

Italy

Painting, Gouache on Wood

Size: 60 W x 60 H x 1.8 D cm

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$1,435USD

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130 Views

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link - Artist featured in a collection

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

At first sight we see the painted mask, then, looking better, we see the engraved hat that completes it. The mask satisfies the desire not to appear, to create a mystery around you. What we all do, some more, some less.

Year Created:

2018

Subject:
Mediums:

Painting, Gouache on Wood

Rarity:

One-of-a-kind Artwork

Size:

60 W x 60 H x 1.8 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Christine was born in Belgium. After Primary School, she graduated in Art History and Archeology at the Université Libre de Bruxelles. Then, she moved to Florence, Italy, to follow a three-year course in wood restoration at “Palazzo Spinelli” Institute for Art and Restoration. ​ The techniques of leaf gilding on wood are what it has been most interested to her; after graduating in Florence she has began her work experience in the field of gilding and decoration in various artisan workshops both in Florence and in Bologna. After this she deepened the studying of decoration and its techniques attending the high school of painting “fake marble and fake wood” Van der Kellen et Logelain in Brussels. After graduation, she has returned to live in Italy, in Perugia,where she still works in the field of restoration and decoration. ​ Her most recent works are rooted in her artisan training. Most of the artisans who work with metal leaf usually perform with very approximate techniques, such as glue gilding: instead, in her works, Christine always proposes a water gilding, regardless of the type of metal used; because it becomes a real expressive form when, with a game of burnishing, it manages to get those depths that have nothing to envy to those obtained with colors. And it is on this “support” that color and its expressions come into play : integrating and completing a fund that is already an engraved story. The observer's attention at the first impact falls on bright colors exactly as a bee settles on a beautiful flower because it is colored. When the eye goes beyond color, it finds a delicate story told by an engraved background full of light and shadows. ​ Probably, a few years ago, Christine would have never have exhibited her works, ranging from oils to watercolors to metal foil : because she has always considered them an intimate research that concerned only her. But one day she said to herself : “show some of your works!”Et voilà! ​

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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