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Spring Hawthorn Blossom in afternoon light. Painting

Mark Mclaughlin

United Kingdom

Painting, Oil on Canvas

Size: 91.4 W x 76.2 H x 2.5 D cm

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I was taken by the afternoon light catching the blossom on these old Hawthorn Trees in Clapham Common in South London. I love the way the light was coming through the trees and casting lovely shadows giving the scene a great sense of depth. There was beautiful sense of tranquility which I've tried ...

Year Created:

2022

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

91.4 W x 76.2 H x 2.5 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I was always drawing and painting from a very young age and had very supportive teachers who encouraged me to go to Saturday art classes in Guildford, Surrey when I was around 12. I was probably the youngest there but I loved the environment, we had great teachers, who encouraged us to go out drawing and painting. I think looking back it was the one of the most inspiring times. After that, I did a Foundation year at Farnham, followed by a BA Hons Degree in Visual Communication and a Masters Degree in Illustration. I was a professional illustrator for over 20 years working with clients in the Uk and USA. Any subject I paint has been inspired from my experience and emotion felt at the time. I try and convey that in the work through colour and brushstrokes, so whether it’s worked en plein air or in the studio, I hope to bring this emotional connection to the viewer. As well as using sketches and photos, more recently I have been taking short videos. This can really help when I’m back in the studio to reconnect me to a location. Having sounds – like the wind, the noise of swaying branches and leaves etc adds another dimension when working on a painting.

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India Balyejusa, Senior Curator