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This new series of paintings and works on paper represents a refinement in the practice of Victoria Young Jamieson as she manipulates colour and materials to describe her abstracted memories of the land, sea and sky. A new freedom within the works comes from an interest in colour theory and intuitive mark-making concepts - inspired by the masters of Abstract Expressionism and Colour Field Painting (with a particular nod to Georgia Okeefe, Max Ernst and Jules Olitski). Closer to home, Patrick Heron and Peter Lanyon of the St Ives School are also an important influence, respected by Young Jamieson for their bold use of layered colour and paired-back, abstract form. Young Jamieson’s paintings are created using multiple layers of loose brushstrokes - sometimes expanding across the whole picture plane - sometimes confined within perfectly rendered circles on smooth, dark backgrounds. This juxtaposition highlights the artists’ considered choice of palette and materials, as she allows the multi-dimensional painting surface to shift, depending on the time of day, light, setting and position of the viewer. Young Jamieson’s mark-laden canvases and smaller paper works echo the dark, swirling forms and rich, inky depths of the rock formations and rugged cliffs which surround her in Dorset, but they are memories rather than direct observations. In this series, there is a feeling of twilight and night-fall, a curious time when shapes morph into something new, revealing something beautiful and abstract. As such, these paintings are not about a particular place, idea or experience, instead they are a pivotal moment in the work of Young Jamieson as she moves towards a more intuitive way of seeing, and making.
This new series of paintings and works on paper represents a refinement in the practice of Victoria Young Jamieson as she manipulates colour and materials to describe her abstracted memories of the land, sea and sky. A new freedom within the works comes from an interest in colour theory and intuitive mark-making concepts - inspired by the masters of Abstract Expressionism and Colour Field Painting (with a particular nod to Georgia Okeefe, Max Ernst and Jules Olitski). Closer to home, Patrick Heron and Peter Lanyon of the St Ives School are also an important influence, respected by Young Jamieson for their bold use of layered colour and paired-back, abstract form. Young Jamieson’s paintings are created using multiple layers of loose brushstrokes - sometimes expanding across the whole picture plane - sometimes confined within perfectly rendered circles on smooth, dark backgrounds. This juxtaposition highlights the artists’ considered choice of palette and materials, as she allows the multi-dimensional painting surface to shift, depending on the time of day, light, setting and position of the viewer. Young Jamieson’s mark-laden canvases and smaller paper works echo the dark, swirling forms and rich, inky depths of the rock formations and rugged cliffs which surround her in Dorset, but they are memories rather than direct observations. In this series, there is a feeling of twilight and night-fall, a curious time when shapes morph into something new, revealing something beautiful and abstract. As such, these paintings are not about a particular place, idea or experience, instead they are a pivotal moment in the work of Young Jamieson as she moves towards a more intuitive way of seeing, and making.
This new series of paintings and works on paper represents a refinement in the practice of Victoria Young Jamieson as she manipulates colour and materials to describe her abstracted memories of the land, sea and sky. A new freedom within the works comes from an interest in colour theory and intuitive mark-making concepts - inspired by the masters of Abstract Expressionism and Colour Field Painting (with a particular nod to Georgia Okeefe, Max Ernst and Jules Olitski). Closer to home, Patrick Heron and Peter Lanyon of the St Ives School are also an important influence, respected by Young Jamieson for their bold use of layered colour and paired-back, abstract form. Young Jamieson’s paintings are created using multiple layers of loose brushstrokes - sometimes expanding across the whole picture plane - sometimes confined within perfectly rendered circles on smooth, dark backgrounds. This juxtaposition highlights the artists’ considered choice of palette and materials, as she allows the multi-dimensional painting surface to shift, depending on the time of day, light, setting and position of the viewer. Young Jamieson’s mark-laden canvases and smaller paper works echo the dark, swirling forms and rich, inky depths of the rock formations and rugged cliffs which surround her in Dorset, but they are memories rather than direct observations. In this series, there is a feeling of twilight and night-fall, a curious time when shapes morph into something new, revealing something beautiful and abstract. As such, these paintings are not about a particular place, idea or experience, instead they are a pivotal moment in the work of Young Jamieson as she moves towards a more intuitive way of seeing, and making.
This new series of paintings and works on paper represents a refinement in the practice of Victoria Young Jamieson as she manipulates colour and materials to describe her abstracted memories of the land, sea and sky. A new freedom within the works comes from an interest in colour theory and intuitive mark-making concepts - inspired by the masters of Abstract Expressionism and Colour Field Painting (with a particular nod to Georgia Okeefe, Max Ernst and Jules Olitski). Closer to home, Patrick Heron and Peter Lanyon of the St Ives School are also an important influence, respected by Young Jamieson for their bold use of layered colour and paired-back, abstract form. Young Jamieson’s paintings are created using multiple layers of loose brushstrokes - sometimes expanding across the whole picture plane - sometimes confined within perfectly rendered circles on smooth, dark backgrounds. This juxtaposition highlights the artists’ considered choice of palette and materials, as she allows the multi-dimensional painting surface to shift, depending on the time of day, light, setting and position of the viewer. Young Jamieson’s mark-laden canvases and smaller paper works echo the dark, swirling forms and rich, inky depths of the rock formations and rugged cliffs which surround her in Dorset, but they are memories rather than direct observations. In this series, there is a feeling of twilight and night-fall, a curious time when shapes morph into something new, revealing something beautiful and abstract. As such, these paintings are not about a particular place, idea or experience, instead they are a pivotal moment in the work of Young Jamieson as she moves towards a more intuitive way of seeing, and making.
This new series of paintings and works on paper represents a refinement in the practice of Victoria Young Jamieson as she manipulates colour and materials to describe her abstracted memories of the land, sea and sky. A new freedom within the works comes from an interest in colour theory and intuitive mark-making concepts - inspired by the masters of Abstract Expressionism and Colour Field Painting (with a particular nod to Georgia Okeefe, Max Ernst and Jules Olitski). Closer to home, Patrick Heron and Peter Lanyon of the St Ives School are also an important influence, respected by Young Jamieson for their bold use of layered colour and paired-back, abstract form. Young Jamieson’s paintings are created using multiple layers of loose brushstrokes - sometimes expanding across the whole picture plane - sometimes confined within perfectly rendered circles on smooth, dark backgrounds. This juxtaposition highlights the artists’ considered choice of palette and materials, as she allows the multi-dimensional painting surface to shift, depending on the time of day, light, setting and position of the viewer. Young Jamieson’s mark-laden canvases and smaller paper works echo the dark, swirling forms and rich, inky depths of the rock formations and rugged cliffs which surround her in Dorset, but they are memories rather than direct observations. In this series, there is a feeling of twilight and night-fall, a curious time when shapes morph into something new, revealing something beautiful and abstract. As such, these paintings are not about a particular place, idea or experience, instead they are a pivotal moment in the work of Young Jamieson as she moves towards a more intuitive way of seeing, and making.

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Wander Painting

Victoria Young Jamieson

United Kingdom

Painting, Acrylic on Canvas

Size: 80 W x 80 H x 3.7 D cm

Ships in a Box

SOLD
Originally listed for $2,630

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Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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This new series of paintings and works on paper represents a refinement in the practice of Victoria Young Jamieson as she manipulates colour and materials to describe her abstracted memories of the land, sea and sky. A new freedom within the works comes from an interest in colour theory and intuit...

Year Created:

2019

Subject:

Abstract

Styles:

Abstract

, 

Expressionism

, 

Fine Art

, 

Abstract Expressionism

 

Mediums:

Acrylic

, 

Ink

, 

Gesso

, 

Canvas

 

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

80 W x 80 H x 3.7 D cm

Ready to Hang:

Not Applicable

Frame:

Other

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.

Victoria credits her upbringing in Cornwall as her founding inspiration towards her work. Influenced by the county’s unique light and the way it affects the surrounding environment, Victoria's work captures a truly original approach with regards to natural landscape art. By working with a wide range of media that include wax, resin as well as glue, she allows for the fluid nature of these materials to work of their own accord, in this way imitating the shifting and dramatic seasons of the Cornish coastline.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in New York, London, Bristol, Bristol, London, London, London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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