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the 4 elements Sculpture - Limited Edition of 50

Melanie Rundel-Milzner

Germany

Sculpture, 3d Sculpting of Bronze

Size: 10 W x 11 H x 5 D cm

Ships in a Box

$5,980USD

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

All 4 elements are for sale here in one offer. Fire, water, earth, and air in a circular dance. Each element changes the other element that is touched next to it: Fire dries the arm of the earth, water washes the earth, wind stirs up water, and water extinguishes the fire. The four sculptures ca...

Year Created:

2016

Method:

Multi-paneled Sculpture, 3d Sculpting of Bronze

Rarity:

Limited Edition of 50

Size:

10 W x 11 H x 5 D cm

Number of Pieces:

4

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Artistic career As a teenager I was interested in body shapes, I drew many nudes with charcoal, about 2 meters high, and various shapes modeled with different materials. In my first job I learned how to use modeling wax and started making small sculptures out of wax. In 2003 I began my career as a freelance artist in the “Sinworks” studio. After moving to Varel, I renamed the studio “Dangast-Bronze”. My influences In the beginning my work was dark and morbid and based on the Gothic world, which I felt connected to for almost two decades. I deal with physical decay and the tension between seduction and damnation. Little by little, a field of tension emerged between the beauty and clarity of Pre-Raffelite painting on the one hand and an aesthetic of decay from the Gothic world on the one hand. I have always been interested in mythical and spiritual figures. The longing for power over the physical is visible in my work. I studied medieval art and worked on new, contemporary variations of the Memento Mori.

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