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View In My Room

Male torso study Print

Elizabeth Parker

United States

Open Edition Prints Available:
Select a Material

Fine Art Paper

Fine Art Paper

Select a Size

10 x 10 in (¥5,917)

10 x 10 in (¥5,917)

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No Frame

Black (¥11,834)

White (¥11,834)

Natural Wood (¥11,834)

Metal: Light Pewter (¥22,190)

Metal: Dark Pewter (¥22,190)

No Frame

¥5,917

398 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I've been doing some studies of the body lately. I am interested in developing my knowledge of human anatomy. It is a great way to prepare for paintings. I love drawing on a colored surface. The color gives the picture more emotion, and working the highlights in the final step feels particularly r...

Year Created:

2018

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Self taught painter/sculptor from Battle Creek, Michigan. I seek to develop an aesthetic using contemporary language grounded in the classical traditions. The styling of figures, paint application and narrative are important to me. I’m always experimenting with new ways to create, from conception and the gathering of information to the application of media. In regard to substance, although my works are largely esoteric I envision them with a greater purpose. I want to share the truths I've found and hopefully make an impact on individual lives. The meanings or stories of my paintings come from real places, things I've experienced, though things are not usually taken literally. This can be a rather ambiguous mode of communication as the real and the symbolic intermingle, and because my primary area of interest is a spiritual one with the unique challenge of representing the unseen with in limited visual devices.

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