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View In My Room

Samson and Goliath Print

Louise Lennon

United Kingdom

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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10 x 8 in ($88)

10 x 8 in ($88)

15 x 12 in ($126)

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Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$88USD

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Oil painting on hand dyed fabric that has been applied to a wooden panel. I was inspired when travelling to Belfast one dull winter morning looking out over the city and seeing those distinctive yellow cranes rising up out of the shadowy urban landscape. This is my own unique style where I dye fab...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

In my paintings, I want to capture what I feel as much as what I see. The brightness of the sunlight, the lush greens, the mist and the rain, country roads snuggled by hedges disappearing into the hills. It’s my landscape. I grew up in a small village in County Armagh with family on both sides of the Armagh Monaghan border and that landscape of drumlins, winding roads, round hills, and hedges influences what feels like home to me. From a young age my world was a dangerous place, growing up during the height of the Troubles and this continues to impact what I like to paint. I look for the peace that can be found in the simplicity of the everyday, evoking memories of place and time, of safety and familiarity. Muddy roads, farm byres, grassy lanes, derelict houses, and the simple process of observing - can be very grounding. I mainly work oils, using a mix of traditional subject matter with abstract mark making. I like to scratch-through the layers, utilise line, create drama by contrasting light and dark, all with careful consideration of tone. And at times over-emphasising colour to achieve that emotional statement.

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