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The Majestuous Print

Kiskeia Garcia

Spain

Open Edition Prints Available:
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Canvas

Canvas

Fine Art Paper

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12 x 16 in ($111)

12 x 16 in ($111)

Select a Canvas Wrap

Black Canvas

White Canvas

Black Canvas

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White ($135)

Black ($135)

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$111USD

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The vulture. Emblem of mental and physical strength, and one of the most misunderstood feathered creatures. While death, decay or darkness may be the primary concepts associated with these large birds in the Western world, their symbolism in the folklore of other cultures has also to do with purifi...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Born in the Dominican Republic, raised in different South American countries, Kiskeia Mendoza García has Colombian roots and is currently based in Spain. Her artistic work is a vivid rendering of a wide array of animistic information that rises inwardly with a ruthless urge to be expressed on the outside, and that propelled her to become a self-taught painter. Her unique painting language serves as a physical life force to the immaterial sentience of the supernatural so that it can take animated and alive forms through the artist’s instinctive brush strokes, which come off as a direct invitation from nature itself reminding us that our perception abilities go far beyond our five senses. While Kiskeia’s forms are inspired by abstract conceptions or actual natural figures coming from the four corners of the world, there is a connotation which is common to all her paintings and that is more specifically related to a knowledge that is inherent and still commonly held by some indigenous peoples: That not only humans, but also other animals, as well as plants, rocks, rivers, mountains and other entities have their own consciousness and memory bank, and that all of them can be energetically and physically interlaced, transmuted and regenerated. Hence, that trendy motto of “connecting with nature” acquires a greater, deeper and a much more transcendental perspective in Kiskeia’s compositions.

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