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View In My Room

leaping in the moonlight Print

Stephanie Brunton

United Kingdom

Open Edition Prints Available:
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6 x 12 in ($60)

6 x 12 in ($60)

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$60USD

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ABOUT THE ARTWORK
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After seeing Matthew Bourne's Swan Lake I was inspired to make this series of paintings. I was completely awestruck by the performance of this ballet and knew I had to keep the feeling of immense power and beauty that I had experienced and try somehow to translate that into my paintings. This paint...

Year Created:

2019

Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

6 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

"There is a crack in everything. That's how the light gets in." Leonard Cohen My work is about capturing the essence of a person or place rather than making a likeness. The unique gesturing of handwriting, the words that a person has spoken or written down are forever part of them and as individual as their fingerprints. The clothes worn and personal items have an imprint of that person. These, as well as the face and body have been one inspiration for my paintings. I live and work in the seaside town of Whitstable in Kent, England. I stopped being a teacher in 2010 to concentrate on making my own work. Whitstable is a lively community of artists and the people and places are an inspiration to my work. My daughter is a performer and musician and is often the subject of my paintings. I have recently been examining the masks both literal and metaphorical, that people and especially performers, wear. The act of painting, for me, is one of rumination. As a painting develops, the composition becomes rather like some of the stage sets that are in my paintings, arousing curiosity and inviting questions about what may have happened or what is about to begin. Different layer surfaces reveal the process of applied paint, which hold history, time and memory.

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