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View In My Room

Handle with Care Print

Phil Longhurst

United Kingdom

Open Edition Prints Available:
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Canvas

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20 x 16 in ($120)

20 x 16 in ($120)

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$120USD

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Exploration of the meaning of 'touch', sensuality, as a primary way of 'seeing'. Referencing Phenomenology (Heidegger, Merleau-Ponty), human relationship with life, world, through tools, holding and wielding, through a history of crafts, skills, and whether we are becoming more visually and intellec...

Year Created:

2016

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

20 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Born England 1959, lives and practices in East Anglia. Currently active with sculpture and installations, but also painting, drawing, and writing. The material characteristics are central to form and content, as process invites responses, as a 'dialogue' between artist and media throughout the making. Concepts explore our phenomenolgical experience of 'being' in the world, how we interact with environments, objects, and time. The impact of consumerism as a specific social and material phenomenon is often 'in the mix' and leaning towards Constructivism. Studio practice is integral and essential to informing the work, with value given to experimenting at the workbench. 'Found' materials, the discarded 'collateral' of society, are often the dots that will be joined, that can result in an evocation of post-industrial wilderness. A fascination with natural processes of decay, set against mankind's' persistent attempts to 'better' them, and endure through manufacturing engineered constructs and relentless hard labours, sets the central dynamic that pervades this work.

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