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'Goldener Umhang' with passepartout and wood frame.
Details of 'Goldener Umhang' (2020).
Details of 'Goldener Umhang' in a frame (2020).
'Goldener UmhangÄ with passepartout and wood frame in interior.

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12

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Goldener Umhang (Golden cape) Drawing

Sabrina Pohl

Germany

Drawing, Chalk on Paper

Size: 20.5 W x 29.5 H x 0.1 D cm

Ships in a Box

SOLD
Originally listed for ₹31,014

25 Views

12

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Drawing on fine art paper, 20,5 x 29,5 cm / 8,1 x 11,6 in. *Ships not framed. In the abstract landscape works I draw on an intuitive use of forms in order to dissolve the visible and the preconditioned. Therefore I open up new perspectives which first intend to create openness for a new space of v...

Year Created:

2020

Subject:
Mediums:

Drawing, Chalk on Paper

Rarity:

One-of-a-kind Artwork

Size:

20.5 W x 29.5 H x 0.1 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Sabrina Pohl is a German abstract artist, born in Ludwigsburg (1994). She lives and works between Vienna and Stuttgart since 2015. In 2017 she cooperated with Raun LaRose for the Fashion Week in New York that was featured in Highsnobiety among other things. Her artworks are preserved and exhibited in different countries. ____"My work focuses on an intuitive use of forms in order to dissolve the visible and the preconditioned. Therefore I open up new perspectives which first intend to create openness for a new space of viewing. Those catched glimpses of my surroundings become simplified, fragile beings by using reduced forms and contours. In doing so, I deal with the emphasis of space and light. Choosing abstraction as tool reveals the non-visible without pushing the rational in the middle of things: „A flower is not just her appearance, it can also be expressed through its smell, or a memory of a gentle touch of the petals between your fingers. Thus, my work displays those subtle layers beyond the visible, e.g. by changing movements during the process like connecting and dissolving elements. It is guided by a feeling of belonging; like the smell of a flower belongs to it without the evidence of seeing the flower itself.“

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