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Caution! Art Floor! Print

Yurii Yermolenko

Ukraine

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About The Artwork

Yurii Yermolenko, "Caution! Art Floor!", (day lighting), 2019, ("GOLDILOCKS ZONE" project), fluorescent acrylic on vinyl, 30x30 cm. The greatest integer function, also known as the floor function, gives the greatest integer less than or equal to its argument. The action of this function is the same as "rounding down." On a positive argument, this function is the same as "dropping everything after the decimal point," but this is not true for negative values. Valeria Messalina (c. 17/20–48) was the third wife of the Roman emperor Claudius. She was a paternal cousin of Emperor Nero, a second-cousin of Emperor Caligula, and a great-grandniece of Emperor Augustus. A powerful and influential woman with a reputation for promiscuity, she allegedly conspired against her husband and was executed on the discovery of the plot. Her notorious reputation arguably results from political bias, but works of art and literature have perpetuated it into modern times. Little is known about Messalina's life prior to her marriage in 38 to Claudius, her first cousin once removed, who was then about 47 years old. Two children were born as a result of their union: a daughter Claudia Octavia (born 39 or 40), a future empress, stepsister and first wife to the emperor Nero; and a son, Britannicus. When the Emperor Caligula was murdered in 41, the Praetorian Guard proclaimed Claudius the new emperor and Messalina became empress. After her accession to power, Messalina enters history with a reputation as ruthless, predatory and sexually insatiable, while Claudius is painted as easily led by her and unconscious of her many adulteries. The historians who relayed such stories, principally Tacitus and Suetonius, wrote some 70 years after the events in an environment hostile to the imperial line to which Messalina had belonged. Two accounts especially have supplemented the gossip recorded by historians and added to Messalina’s notoriety. One is the story of her all-night sex competition with a prostitute in Book X of Pliny the Elder's Natural History, according to which the competition lasted for 24 hours and Messalina won with a score of 25 partners. The poet Juvenal mentions Messalina twice in his satires. One story told there is that she compelled Gaius Silius to divorce his wife and marry her. In his sixth satire appears the notorious description of how the Empress used to work clandestinely all night in a brothel under the name of the She-Wolf. In the course of that work, Juvenal coined the phrase frequently applied to Messalina thereafter, meretrix augusta (the imperial whore). In so doing, he coupled her reputation with that of Cleopatra, another victim of imperially directed character assassination, whom the poet Propertius had earlier described as meretrix regina (the harlot queen). The earlier propaganda against Cleopatra is described as "rooted in the hostile Roman literary tradition". Similar literary tactics, including the suggestive mingling of historical fact and gossip in the officially approved annals, is what has helped prolong the scandalous reputation of Messalina too. To call a woman "a Messalina" indicates a devious and sexually voracious personality. The historical figure and her fate were often used in the arts to make a moral point, but there was often as well a prurient fascination with her sexually-liberated behaviour. From the last quarter of the 19th century onwards, the role of Messalina has been as much about the stardom of those who played her as about the social message of the works in which she appeared. The star's name appeared in large print on the posters of the works in which she played. She was constantly featured in the gossip columns. Her role was iconised photographically, which she often inscribed for her admirers. Pictures of her as Messalina adorned the theatre magazines and were sold in their thousands as postcards. This was as true in drama and opera as it was of those who portrayed the empress in movies and television films or miniseries.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Yurii Yermolenko – A Master of Fine Arts (MFA), author of special, large-scale, monumental picturesque projects, set designer, art director (musical video), music video director, photographer, Facevinyl & RapanStudio Founder and CEO. Born in 1973 Kiev (Ukraine) Lives and works in Kiev. "LIVE PAINTING" One will never forget works painted by artist Yurii Yermolenko. They carry a rave of color, flexibility of motifs, and a very special reality. - Yurii, how long have you been living for painting? Creation of a painting, the plot, the canvas – is this an outburst of emotions, or reflection of your world outlook? - I believe that I began to live for painting even before I was born. The birth of a painting on canvass most of all resembles a rite, when you are led by some creative ecstasy, intuition. It should be noted however that the period preceding the creation of a painting is very interesting. Here, an entirely different scheme works, involving a great deal of analysis, collection of information, anthropological studies, maybe, travelling. - Your paintings are distinguished for intense colors. Does this reflect your temper, or the desire to add colors to everyday routine? - In the first place, it reflects my temper of an artist and a painter. When you paint a picture, it should sound in colors, as a good musical composition, this is the main thing. - You have a unique technique of execution – the images are smudgy and distinct at a time. What stands behind it? - I like it when a painting represents a deep picturesque space, full of special light, as if in a dream, in which, images can breathe and vibrate. - Who, or what, inspires you? - My dear muse, my angel of inspiration protects and helps me. And as far as the projects are concerned, they may be triggered by a beautiful dream or a journey. - What really encourages you – criticism, or commendation? - I am encouraged not by criticism or commendation, but by angels of inspiration. Criticism or commendation take place post factum, as a response to a work of art; both are helpful; the worst thing is when there is no response at all. - Please, tell us about your creative plans. - I will continue experimenting with techniques. By the way, my another project was a pure experiment with "flower-dotted" fabric – this decorative pattern dictates the figurative space. MAGIC WOMAN magazine, Culture (section)

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