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'Eye of God - Santa Maria Assumpta' Print

Sandy Sokoloff

United States

Open Edition Prints Available:
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Canvas

Canvas

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20 x 16 in (₹20,676)

20 x 16 in (₹20,676)

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White Canvas

White Canvas

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White (₹13,784)

Black (₹13,784)

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₹20,676

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The 'Eye of God' (Oculus from Latin 'eye'; pl: oculi) is a circular opening in the center of a dome or in a wall. Originating in antiquity, it is a feature of Byzantine and neoclassical architecture. Based on the ceiling of the Santa Maria Assunta church in Assergi, Italy. It’s color gives this wo...

Year Created:

2023

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

20 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

In ancient Judaic mysticism, the Sephirot (or Quabbalistic Spheres) are the ten attributes or emanations surrounding the Infinite and by means of which it relates to the finite. The 'Eye of God' (Oculus from Latin 'eye'; pl: oculi) is a circular opening in the center of a dome or in a wall. Originating in antiquity, it is a feature of Byzantine and neoclassical architecture. I begin each work by constructing a linear geometry and only when satisfied with the composition will I introduce color. I consider geometry to be sacred but recognize that it is a form of mathematics and must be consciously constructed. Once resolved, it becomes a facade for the light which defines the act of painting. Color is Light and is divinely inspired - after 60 years of painting my vocabulary of sensory experiences is extensive enough so that every application of new color demands a response which seems predetermined. Working in a forgiving medium (acrylic paint) allows me to constantly change color, layer over layer until I achieve an inevitable balance and the light in the work is as it must be.

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