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View In My Room
Fine Art Paper
8 x 10 in ($50)
White ($80)
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‘Bread Faces’ is an exploration about change in the passing of time. I’m using bread as the medium and the metaphor for ephemeral things in the present moment. Bread will crack, wrinkle, mold with age, and eventually disintegrate. I’ve started using photography to record the progress of the bread faces and have found that the photographic images in themselves have become a significant part of the conversation. Bread Face Photos: These are enlarged close-ups of the Bread Faces mounted on cradled panels. My intent is to focus on the personalities and the textures of the bread faces. These photos record a slice of time in their process of decomposition. Artist Print made archivally 11x14x1.5 on cradled panel with Epson HP Natural paper, Ultrachrome HD Inks, varnished with Liquitex Acrylic Gloss Varnish.
Giclee on Fine Art Paper
8 W x 10 H x 0.1 D in
13.25 W x 15.25 H x 1.2 D in
White
Yes
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I have been working as a studio artist for many years using paint, clay, metal, and domestic mediums. I find that a work is most eloquent when I can meld the process, the medium, and the concept together. The work I do has a visceral, emotional impetus. With the "Shards" sculptures I used pieces of clay, on sand and salt to speak of persistence, life and mortality. "White Sea Bass" is a public art piece done in collaboration with Diane Dancer, Patricia Roose, and Robert McGuire. White bass are indigenous fish in the lagoons and kelp beds off Carlsbad. We created the brushed aluminum bodies of the fish to catch the changing qualities of light at the site: twilight, the flash of headlights at night, and in the shadows during the day. A large portion of my work has been with the assemblages of found and made objects (the "Boxed Relics") and the concrete pieces that followed. A broken cross or a paintbrush handle in heat-blackened rubble is very evocative. I also like working with traditional methods and images. Some of the earlier representational work was done in clay. I found a clay body that would fire into a warm flesh tone when saggered. The cast bronze figures of "Babies and Calla Lilies" refer to the weeks I spent with each of my babies in the Neo-Natal Intensive Care Units at birth. I've also approached this subject before with cloth, needles and wires, "the domestic arts". My art is a conversation between intellect and emotions. While working through a process and a medium I’ve found interesting voices. This latest work uses bread…
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