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Portugal
Mixed Media, Ink on Fine Art Paper
Size: 16.5 W x 24.4 H x 0.1 D in
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This narrative represents the dialogue between different types of flora, including those from dry environments, those from humid environments and those that are sensitive to the climate. It is an assemblage that explores the identity of each element according to its nature and application as a natural resource. It was realised between 2023 and 2024. In the background is a combination of two bamboos of different species. On the right is a bouquet of orchids, on the left a natural wild fibre. It's an assemblage in chronological time and paper-space.
Original Created:2023
Subjects:Nature
Materials:Fine Art PaperGlueOther
Mediums:InkPaperFiberPen And InkAcrylic
Mixed Media:Ink on Fine Art Paper
Original:One-of-a-kind Artwork
Size:16.5 W x 24.4 H x 0.1 D in
Frame:Not applicable
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Portugal.
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Portugal
“There is hope in honest error. None in the icy perfections of the mere stylist”. C.R.M. The collection presents a compelling case for the feminist sensibility of the designer and architect. The intricacy of each drawing is not derived from the shapes employed, but rather from the materials utilized: paper, refillable pens, diluted pigment, and collages (assemblages). Sometimes i use another materials as antithesis, but i still prefer a methodology both ecologically and environmentally clean, reflecting the process involved in creating the various collections. The process of creating a drawing can be compared to the construction of an architectural project or a musical composition. It has its own conception phases, which can be likened to the creative processes involved with an architectural project or a musical composition. Alternatively, it can choose to remain at a certain stage. The materiality and temporality of each work are subjected to analysis. And "style" (stylistic conceptions as methodology) is not sought, as it is perceived to be a limiting factor in the representation of ideas. On the other hand, my experience in architecture allows me to create works as projects, applying the methodology of building with preferably ecological materials. Naturally, there is another aspect of me that explores architectural design as conceptual objects where I question the concept of mimicking nature (bio-mimicry) in the creation of public buildings or civil utility buildings. My collection of drawings- Tomos - confidently and warmly explores the relationship between the quality of art in the 21st century and the resources used to create it. To summarize: i) Essays on still life and the visuality (of the background) in photography ii) Collages / Assemblages iii) Architecture: subjectivity and function
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