Sandra Patrícia Ferreira

The collection highlights the feminist and 'hermaphrodite' sensibility of the designer and architect, showcasing the intricacy achieved through material selection rather than form. Using paper, refillable pens, diluted pigments and collages, the methodology adheres to sustainable ecological and environmental practices. The creation of drawings mirrors the conceptual phases of architectural projects and musical compositions, enabling fluid progression or deliberate stagnation at different stages. Furthermore, the work critiques biomimicry in public building design and monumental sculptures, challenging its role in contemporary architecture. Rejecting 'style' as a limiting methodology, the collection explores materiality and temporality. Titled 'Tomos', it critically examines the interplay between 21st-century artistic quality and sustainable resources.

Escola Artística de Soares dos Reis
Faculdade de Arquitetura da universidade do Porto
École d'architecture Paris-la-Seine (Erasmus)
Universidade Católica Portuguesa

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