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Canada
Painting, Acrylic on Canvas
Size: 48 W x 60 H x 1.5 D in
Ships in a Crate
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Implicate is inspired by David Bohm's theory of 'Implicate Order', where everything is interconnected and enfolded within. This painting evokes a quantum reality that is fluid and engulfing. I combine visceral forms suggestive of bone, muscle and brain with nascent root into this humanoid figure that spirals into generative space.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:48 W x 60 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
I have an affinity for animals, growing up in a rural South African village surrounded by these sentient creatures. South Africa is synonymous with wildlife like elephants, rhino, lions and baboons. Parks protect species but poaching is rife and canned hunting persists. The most pressing issue of our century is environmental degradation. My paintings are about oceanic, animal and human socio-environmental issues. Human society is alienated from animals. To reduce this, animals and environment could be amalgamated into human cultural experience; separations of 'identity' need to be 'loosened'. My paintings require the overlay of various elements. Charcoal energy lines are swamped in a paint-staining process that introduces flowing forms. Lines delineating architectural space are superimposed over portions of representational imagery. Compositions are balanced yet retain duration. The goal is to make a complex, visually stimulating experience that will engage the imagination. I reduce the identity of pictorial elements to interlace the whole with a sense of fluidity that embraces ambiguity and contradiction. I engage Indigenous poetic myths including the Kraken and Hydra aiming at a metaphorical rather than literal exposition of the environmental dilemma. The paintings need to live beyond the immediate polemic and be beautiful.
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