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Romania
Mixed Media, Crayon on Fine Art Paper
Size: 27.6 W x 36.6 H x 0 D in
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Onna-musha (女武者) is a term referring to female warriors in pre-modern Japan. These women fought in battle alongside samurai men. They were members of the bushi (warrior) class in feudal Japan and were trained in the use of weapons to protect their household, family, and honour in times of war. They also have an important presence in Japanese literature, with Tomoe Gozen and Hangaku Gozen as famous and influential examples representing onna-musha. In "The Tale of the Heike", she was described as: "... especially beautiful, with white skin, long hair, and charming features. She was also a remarkably strong archer, and as a swordswoman, she was a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot. She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain, equipped with strong armor, an oversized sword, and a mighty bow; and she performed more deeds of valor than any of his other warriors." - mixed media: acrylic, conte on book pages glued on cardboard - custom charges vary in each country outside Europe and are not included in the price of the artwork ========= any piece on cardbord/paper at this size can be shipped framed. wooden texture, oak, modern frame with the artwork covered by plastic glass. Just let me know.
Mixed Media:Crayon on Fine Art Paper
Original:One-of-a-kind Artwork
Size:27.6 W x 36.6 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Romania.
Customs:Shipments from Romania may experience delays due to country's regulations for exporting valuable artworks.
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Romania
fragments from an interview given to ARTDEX: // What motivates you to create? // I'm a very creative person, so I just create! It's in my nature, I simply can't imagine life otherwise. If I didn't paint or draw, I would definitely write or compose music, or I would make my own movies. // Tell us about your artistic style? // Most of my works are figurative, but I also have an abstract landscapes series. Generally speaking, what we call abstract painting could fall into various genres or categories, but my tryout in this field could be labeled as lyrical abstract. While my work in the figurative area could be simply associated to contemporary realism or contemporary figurative. I've always been a very versatile artist, I've experienced a lot of different insights and perspectives, I've embraced various styles or genres, depending on my inner evolution and on the faces of my evolution as an artist. At some point in this evolution, I've even felt like creating a new style, a style which I called Magic Expressionism. It's about a series of compositions that remind of the surrealistic current, as I put together elements that have could suggest an oneiric state, but, at the same time, personal manner and the visual expression I used set them apart. // Does creating art help you heal? // Definitely, yes! Both at a personal level and as an artist. I'm going through a metamorphic process right now. And it's not so simple :) It has its ups and downs, but I'm happy and enjoying it, because I feel I'm on the right track. I don't care how long it will take and how hard it can get anymore, it will probably take me a life time. I've progressively realized that all of my convictions and principles, the image I had of myself, what I thought my personality was like, all these were mainly external programs or patterns I had assimilated during my childhood, from school, family, environment. Many years, I thought that an artist's soul should be torn by a constant inner turmoil and disappointment regarding the present. I thought that frustration was the source and the propeller of creativity. I was wrong and this belief brought me confusion and unhappiness. I'm finally happy I could clear my perspective and realize that being on the dark side is a false and pointless way. I'm glad that people can see now the beauty, the serenity, the inner light in my paintings. I have the feeling that my artworks are always one step ahead of me.
Artist featured by Saatchi Art in a collection
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