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Serbia
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Canvas
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21 x 14 in ($129)
Select a Canvas Wrap
Black Canvas
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White ($150)
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Artist featured in a collection
My robot is made up of elements of buildings. We can recognize decorative architectural elements on the figure. We can often feel angels, female faces, lions, etc., observing us from the facades of buildings. My figure’s facial features are not typically “robot-like”, because it has a face that we could see on the building facades. It can protect buildings from destruction (see the title, “Street Fighter”). It also aims to protect the era and its values, uniting these with the progressive values that transgress the ages. The defining street views and emblematic buildings come from an innovative era, the results of the Industrial Revolution. This era resembles our digital/virtual revolution, in which robots and automation play an important role. The figure is made mostly from EPS (expondent polystyrene), which is traditionally used for insulation of building facades. It’s a characteristically long-lasting and dense material. A figure created from this material, however, is quite fragile. To prevent damage, a layer of two-component resin is applied to coat the surface of the figure. This layer protects against the sun, high temperature, and rain, so it aids in creating a figure that can be exhibited and stored outdoors. As the figure is not heavy, it is easily transported.
Original Created:2018
Subjects:Technology
Print:Giclee on Canvas
Size:21 W x 14 H x 1.25 D in
Size with Frame:22.75 W x 15.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Serbia
I reconstruct and transform idealized visual codes from the great historic eras. I attempt to follow the changes they go through, manipulate them and with them, from a more distant position, in terms of time and history. At times, I play with the canons of the past, treating them with nostalgia or irony, aware of their changeability and instability. To achieve this, I use the tools of the movements of the margins, often using spray paint and other materials for expression that are favoured by these movements. My hope is to establish a sort of meeting between seemingly opposing esthetic and art strategies in my works. The turn of the century and the culture of street art, two very distant and, at first glance, different worlds meet and intertwine in my works. I attempt to find the connections between the past and the present – their parallels and collisions.
Artist featured by Saatchi Art in a collection
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