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The Small Town Doctor Print

Richard Arfsten

United States

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About The Artwork

The Small Town Doctor This is an example of a commission where the subject had passed away and there were only some very small snapshots for reference. None were appropriate since they were all straight on shots with an exaggerated "say cheese" smile. The doctor was 85 when he died but his family wanted him to look 50 as the bust was to be their childhood memory. He had four sons so I got them all together and asked them who had his eyes, his nose, mouth, etc. I took pictures and measurements of the sons and made a composite. They wanted a particular look. Each time I returned to show them the progress there was a critique by about a dozen people who would tell me the look was still not quite right. Try adjusting this or that. I would leave the clay piece there and they would make notes in a notebook when they had a chance to come and look at it. Eventually one of them started to tear up when he looked at it and said "that is my dad." Then I knew I had hit a home run. This process was extremely difficult and time consuming. I gave them a price on the foundry costs. The modeling time was on a time-per-hour basis in addition. It is impossible to know how long it will take to get the approval of four sons, a daughter, a wife and four former employees. In the end, they were very pleased with the work. Something like this can cost between $15,000 to $20,000. I had a bronze and three copies in concrete made. The concrete pieces were put in several outdoor spaces. They put different pairs of his glasses on them and talk to him when they pass by. He is still watching over his family and they love the pieces.

Details & Dimensions

Print:Giclee on Photo Paper

Size:8 W x 10 H x 0.1 D in

Size with Frame:13.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have an ambitious approach to life ... and to art ... make something happen every day ... but most of all have fun doing it! A sculptor first, and now working in 2D, I do my best to do just that. Presented here are examples of some of my work. •• My sculpture runs the gamut from abstract, to figurative, to architectural. The materials and methods used are diverse ... from figures modeled in clay or wax, then cast in pewter or bronze ... to aluminum maquettes (produced by evaporative pattern casting) which serve as the 3D blueprints for the pieces that are enlarged and fabricated from sheet metal of all kinds. •• My 2D pieces range from abstract to figurative. You’ll find Originals done in oils or acrylic, one-of-a-kind monotypes, collages, mixed media paintings, and more ... I love working in all mediums. Some of my 2D work may be available as reproductions on this site. ••• MY FASCINATION WITH SCIENCE FICTION & MAKE BELIEVE - When I was in second grade, television was new and the hottest thing. The "Adventures of Flash Gordon" was my favorite program. There was only one kid in the neighborhood who had a TV. We, all the kids, gathered at his house for every episode. I was a huge fan of the characters. Flash was cool and my hero. Dale Arden was OK but Princess Aura was way cooler because she was naughty. Ming The Mercilous was very interesting. But Dr. Zarkov and his super duper telescope - that could see into time forwards and backwards, far and near - was the star of the show for me. The spaceship was really hoakey. You could see the wire that it was traveling on and the little puffs of smoke coming out of it were a joke, even for me. But the concept of the show was magical. Also at that time there were radio shows about space travel and aliens and monsters. I would listen to those shows with my grandfather as I sat on the floor next to the big wooden box radio so I could get the full impact of the sounds. •• These shows inspired me to draw spaceships, mostly "new and improved" versions of Flash's ship. I taped them all over my bedroom walls. At night I would travel with Flash. We would go to distant parts of the Universe and explore ancient ruins - like what I saw in National Geographic when I was not looking at the bare-breasted girls of exotic cultures. (I think artists and sculptors, are to a large part, voyeurs.) Those memories pop up in my art over and over. •• Faces also intrigue and inspire me.

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