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150 Million Empty Boardrooms Collage

Michael Tauschinger-Dempsey

United States

Collage, Photo on Paper

Size: 44.1 W x 52 H x 0.8 D in

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About The Artwork

Performing a Google Image Search query with the word "boardroom" results in approximately 150,000,000 images of empty boardrooms. Several questions arise: why are spaces designed for human interaction/communication depicted as empty? Why do people take pictures of these empty spaces? What do these spaces and the many images of them tell us about our culture and our concept of business, work, importance, and status? Capital and power beg to be represented in tangible ways, and the imagined ownership of exclusive and available spaces satisfies this modus vivendi desire, if you will. The potential for human interaction and communication is not only embodied in such charged empty spaces, but also simultaneously excluded from such spaces. Boardrooms, empty or not, deny the general public from any kind of democratic participatory agency, which fits nicely into seemingly innocuous but dramatically exclusionary private property clauses. Boardrooms are the sacred spaces of the corporate parallel universe; non-members of the corporate elite are simply not welcome. This accompanying video shows how corporate etiquette can and must be learned: https://vimeo.com/52133327

Details & Dimensions

Collage:Photo on Paper

Original:One-of-a-kind Artwork

Size:44.1 W x 52 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Tauschinger-Dempsey is a research-based artist working at the intersection of visual culture studies, anthropology, and social studies. His current art practice investigates formulaic “western” life styles and military managerial models, including surveillance, terrorism, corporatism, suspicion, and technology. Recent works include experimentation with interactive robots (TRASHBOT), media and photographic installations on collateral damage in the War on Terror (Suspensions), and multimedia collage connecting ancient and modern time and space (The Great Ziggurat of Ur and Google’s Quest for the Book of Sand). He has also been published in Media Fields Journal (2014). Prior to that, Tauschinger-Dempsey completed an interdisciplinary MFA in sculpture and architecture at the Academy of Arts Düsseldorf, Germany and an MFA in Digital Media at the Rhode Island School of Design in Providence, RI. His work has been displayed across the United States and has been recently acquired by the Duke Kenan Institute for Ethics and the Granoff Center for the Creative Arts at Brown University.

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