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OK, Let's Address the Monster in the Room Collage

Jerry De La Cruz

United States

Collage, Paper on Paper

Size: 10.5 W x 7 H x 0.1 D in

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About The Artwork

This is a unique horizontal format paper collage work using an original antique photogravure. It is from the “Antique Print Series” of American artist Jerry De La Cruz (b 1948, Denver, CO). The image itself is 7” high by 10.5” wide and is mounted on thick, 100% rag paper. The subject is the photogravure’s original image, a Renaissance era walled street leading to a large stone arched city entrance. Bystanders line both sides of the wide street. Into this scene, the artist has placed a large four-legged reptile with huge yellow fangs along with a small yellow puppy on the ground underneath the reptile’s chest. The palette is limited to the photogravure’s original gray tones along with gold tones of the reptile and dog. The work is titled “OK, Let’s Address the Monster in the Room.” It is in pristine condition and signed front lower left by the artist. (Image of framed work for sizing perspective only.)

Details & Dimensions

Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:10.5 W x 7 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born 1948, Denver, CO. Saatchi site presence maintained by Young's Fine Art. Extensive website at delacruzarts.com. "De La Cruz's mastery of formal and experimental techniques reflects a career dedicated to creative probing and discipline. It is rare indeed to come into contact with an artist who so successfully ranges from abstraction to surrealism in single canvases. Themes of personal identity and interpersonal responsiveness are layered into his work, allowing the viewer to share in the artist's process of questioning the relationships of his subjects to the world. The insights that develop in his works are universal in their ability to connect the reflective with the informative." Joaqui­n Alvarado Jerry De La Cruz (b 1948, Denver, CO) was listed among the three dozen most influential regional artists of the twentieth century in a Denver Post survey of regional curators (2001). His was the only Spanish surname. At the first International Latino Art Auction held in Phoenix, AZ in conjunction with Sotheby's (2003), De La Cruz proved the best selling artist of the auction and drew the highest auction price for a single work. The Denver Art Museum's first purchase of a living Hispanic's work for its permanent collection was a De La Cruz. Years later, he was the only artist considered when that same museum wanted to commission a contemporary digital work commemorating the opening of its new Libeskind Building (2007). De La Cruz was the recipient of back-to-back artist in residency grants from Colorado in his early career and received as well their very last painting fellowship in 2000. For a spell in 2006, works of De La Cruz were included in three unrelated art museum exhibits in Denver (Denver Art Museum, El Museo and the Mizel). Other honors include award of Best Art Event of the Year by Westword Magazine and appointment to Denver's Commission on Arts and Culture. De La Cruz currently splits his time between his studio in the Santa Fe District in Denver and his new studio in the Little River District of Miami.

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