VIEW IN MY ROOM
Italy
Collage, Marker on Canvas
Size: 23.6 W x 11.8 H x 2 D in
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This famous Shakespeare's Sonnet n. 18 is so great that ispired me already for past artwork, and I think that I will continue to represent it; is simply incomparable...is an eternal sentiment..
(..) Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date:
(..) But thy eternal summer shall not fade, Nor lose possession of that fair thou ow'st; Nor shall death brag thou wander'st in his shade, When in eternal lines to time thou grow'st:
I wrote the poem on a sheet of transparent resin fixing it with a thread directly on the linen cloth. I like the effect that seems to blow on the fabric pattern.
This artwork is stretched on canvas, of particular very fine linen fabric: in some parts it is made of small pieces sewn together by me; this linen is printed in an interesting design that recalls the wind of the poetry.
The artwork is mounted on wooden frame. An attacker is fastened and ready to hang.
The 30x30 square panels are individually finished, in the 4 visible edges, to be able to easily disassemble them, in the back, and arrange them as desired.
So it is possible to separate them and compose them at your pleasure, because they are all perfectly finished at the edges and independent.
Original Created:2017
Subjects:Abstract
Materials:CanvasSoft (Yarn, Cotton, Fabric)Plastic
Mediums:Marker
Multi-paneled Collage:Marker on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 11.8 H x 2 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Mara lives and works in Italy in the province of Modena. She began to paint with determination from 1980 to 1995, continuing to study piano; doing some exhibits, personal and collective. She then resumed continuously from 2008. She didn't follow a formal artistic education , but her natural eclectic spirit, led her to express herself as spans a range of media including: installations of leaves-painted sculptures; words on silk panels; ceramic pots; pillow-talking objects; large oil paintings. Her colors are bright, bold, colorful and sunny; her style ranges from expressionism-abstract to figurative-revisited, maintaining a constant freedom of expression over time. She has exhibited in Italy and since 2018 has some collectors in the U.S. Extended history Over the years, I still continue to research and experiment with the same spirit of the beginnings, and now also with a deeper psychic awareness, about creativity: 'Keeping the creative current clear' (C.P.Estés). The subject matter of my work is often poetry and literature, that inspire me to represent, in different ways, some poetic compositions; but also songs, words, quotations, everything which captures me in one casual moment. My themes are: love, nature, feelings, sensations, thoughts. It leads me to a certain libertarian spirit, that aside from reflecting my indole, it born from the passion for Surrealism, understood as a philosophy of life: "poetry, art, love... the surrealist game..., the principle of pleasure on reality..." (Arturo Schwarz, Milano 2009). Reading A. Schwarz, I noticed that the artists I had always loved, all had a common thread leading to Surrealism. Apollinaire, J. Mirò, G.Moreau, Kandinsky, Chagall, Duchamp, they are all among the precursors of the Surrealism. I express myself in different ways: as painting lotus leaves with oil colour; or painting on large canvas portraits; representing a surrealistic poetry with dream images, a bit abstract and a bit ricognizable shape. I also like silk and make many collages with it, in mixed media; or even to create real 'talking cushions' in silk, like art objects that hide their sense in a literary story, to be discovered, inside them, just like ' surrealistic game'. I also like inks and water colour, used in informal style, but always representing a theme, a title, a wrote word, one formal element at least.
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