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Silence Collage

Ray Watanabe

Japan

Collage, Paper on Wood

Size: 10.7 W x 6.3 H x 0.8 D in

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Originally listed for $480
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About The Artwork

Abatract Collage I chose colors, cut shapes, and made collages based on my feelings and senses at that moment. Colors were created with acrylic paints, and collaged on a wooden panel with Japanese paper painted with the colors. Depending on the angle of the work, the pearl color (the 4th photo) can be seen. Materials / acrylic gouache, Japanese paper, wooden panel Signed on the back. Ready to hung on the wall (with string).

Details & Dimensions

Collage:Paper on Wood

Original:One-of-a-kind Artwork

Size:10.7 W x 6.3 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

When I "express" something, I let myself be free, let my thoughts sink down and return to nothingness, and express shapes, colors, and movements based on my five senses and the unconsciousness = the information I have accumulated in my life so far. For example, hearing sounds, smelling trees, people, animals, inorganic objects... It is reacted to and drawn out by all kinds of things. I then feel the "shape, color, and movement" from the sensations and emotions that emerge at that moment, and without deciding on a finished image, I create in the way I feel at the time, the method I want to express and be. The "object" produced is a mirror and record of "me" at that moment. I also believe that the feelings and discoveries of the "viewer" are also a mirror of that person at that moment. The colors and shapes that interest me change depending on the combination of emotions, circumstances, and time. This kind of freedom is similar to the feeling I had when I was a child playing with the shapes of clouds to see what they looked like, and I believe it is something very important, like the pure "creativity" that everyone has. In order to express this, I still feel it is important to be free, pure, and honest about what comes up in the moment.

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