VIEW IN MY ROOM
Italy
Drawing, oil pastel on Paper
Size: 10 W x 16.6 H x 0 D in
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Made this inspired by a waitress serving at the outdoor tables at Violet, a beautiful cafè and pastry shop in East London. I believe the first time I went there was at the end of a great guided tour of the area where we were offered a special discount at this place, famous for having made the cake for the Harry & Megan royal wedding. I went there several times after that first time, not only because their cakes are great but also because I loved the decor and it was close to home ( I have to admit that I lived very close by many beautiful places) I am very pleased with this portrait, this woman has a natural elegance that made me think of the word "vestale" (vestal) for her I hope this artwork will transport you to this lovely cafè on a quiet street in East London when the weather is not too hot but warm enough to sit outside and spend some time among friends, eating cake, of course This, like all the artworks from this series, has been treated with two to three layers of fixing spray; nonetheless I advise to promptly frame it with a glass too, to protect it from the dust. The artwork will be shipped rolled in a tube, I recommend to take it as soon as possible to a framer, to professionally flatten it back and to provide a frame with a glass, as the oil pastel needs to be protected from the dust.
Drawing:oil pastel on Paper
Original:One-of-a-kind Artwork
Size:10 W x 16.6 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Italy
"Mary Cinque is an Italian painter, graphic designer and blogger working and living in the Amalfi Coast. Her works – joyful, bright, colourful painting and drawings – are inspired by this place, as well as her heritage, background and travels. Mary spent her childhood between Italy and Ethiopia. Before moving back to the Amalfi Coast in 2019, she has lived in Naples and Milan, where she attended academies of fine art; and Philadelphia, New York and London where she improved her artistic skills and style. Alongside making art, she works as an illustrator and graphic designer, collaborating with selected brands, working on artistic commissions such as illustrations, labels and showroom design. Cinque’s art develops themes connected with what makes us essentially humans: our habitat – the buildings, the streets, the cities – our bodies, what we eat and how we socialise. Art, in Mary’s paintings, becomes a powerful instrument of philosophical investigation which reveals who we really are by questioning our habits, observing those characteristic traits we share as a species, often without realising it. The artist looks at human beings from a different perspective, making interesting and significant what can seem normal or banal to us in our everyday life: the buildings that populate our cities, the streets we walk, people sitting across our table at a café, strangers on the bus. In this nutshell interview by Giulia Corti, Mary Cinque explores some of the most relevant aspects of her art and reflects on how it offers an intriguing and informative perspective about the way we live as human animals. Mary, your art is colourful and vivid, it mixes human and urban subjects by making use of various techniques (oil painting; pastel drawing, markers, “digital” drawing, print-making etc.) and materials (canvasses, magazine pages, an I-pad screen). How do you choose the means with which to develop an artwork and how do the different materials and techniques influence what you want to convey, if they do? Different subjects call for different techniques. Buildings and urbanscape are always acrylic on canvas, while I prefer to depict people using a quicker, immediate approach, like the one that I can get with markers and oil pastels or digital painting. By looking at the main themes of your art, it is possible to notice what seems to be a tension. On one hand, you portrayed the stillness and artificiality of urban landscapes and buildings (e.g.
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