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"cactus, flower, fuck-off, love, rose" - Untitled #21 Drawing

Catherine Forster

United States

Drawing, Graphite on Paper

Size: 9 W x 12 H x 1 D in

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About The Artwork

“Cactus, flowers, fuck-off, love, roses”, explores essence of femaleness beyond the biological. The title of the project comes from “tags” listed on the website Goodreads, for the quote: “Roses may say “I love you,” but the cactus says “Fuck-off”, by J. Kintz. The project was activated by the convergence of multiple events: my daughter’s 13th birthday, and the coming out of my transgender adult daughter. Both enter puberty, one for the second time, during a period of confusing norms and expectations for women. Hostility towards women seems to be on the rise, at home with the War Against Women and abroad with intensifying ultra-traditional movements. In addition, statistics on violence against Transgender females is truly frightening, making a short walk to the grocery store a clandestine event. I watch both of my daughters evolve, exploring what it means to be female. What makes a woman? In Simone De Beauvoir’s writings for The Second Sex, she penned "One is not born a woman: one becomes a woman". De Beauvoir notes the difference between being female and being a woman – the latter is learned. How will me transgender daughter ever make up for the socialization she has missed? The subtle innuendoes that condition speech patterns, facial reactions, hand movements, may determine her ability to “pass”, even more than the hormones she is taking to transform her appearance. How can she possibly catch-up? Or should she? I worry about my 13 year old, what will she leave behind, or embrace, as she forgoes her childhood and becomes a young woman? What societal pressures will she succumb to? Can she hold on to her identity, cultivate her aspirations, or is she predestined to be a construct of her environs? The project consists of 3 video pieces (“Flower Girl”, Flower Women”, and “Me Not”), plus a series of drawing. “Flower Girl” is a 3-channel video that focuses on the transition from girlhood to womanhood. “Flower Women” is a single channel video screened vertically. Filming is on-going and currently includes 20 women (both cis* and trans women). A key component of the videos reside with the symbolic connection between flowers and women. Flowers have been a symbol for femininity and womanhood since ancient times. Project participants chose a flower symbol they identify with, and communicate its meaning through their bodies. The drawing series evokes my struggle to understand the essence of womanhood, both as a female and a parent. “Me Not” documents a woman attempting to remove the needles of a cactus. The task is not so simple and eventually she uses a tiny manicure scissors. Sound is minimal – snapping, cutting and the occasional gasp when she pricks her finger on a needle. The piece references the child ritual, plucking petals while reciting “he loves me, he loves me not”, but “Me Not” is not playful. The video references gender non-conformity, violence against women (cis and trans), and resistance to cultural constructs of womanhood.

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:9 W x 12 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Catherine Forster is a filmmaker, artist, and curator based in the Chicago area. She received an M.F.A from the School of the Art Institute of Chicago. Her artwork has been shown in exhibitions at the, San Diego Art Institute, Notebaert Nature Museum Chicago, Carnegie Art Museum, Grand Rapids Art Museum, Merwin Gallery Illinois Wesleyan University, central Michigan University, City of Louisville Colorado Sculpture Garden, South Bend Regional Art Museum, Flint Institute of Art, Orange County Contemporary Art Center, Exit Art (NY), Hyde Park Art Center Chicago, and the Contemporary Art Centre in Vilnius, Lithuania, to name a few. Films by Forster have been screened at the Sao Paul International Short Film Festival, Echotrope New Media Arts Festival (Omaha), Simultan Media Arts Festival (Romania), Echo Park Film Center (LA), Magmart Film Festival Casoria International Contemporary Art Museum (Italy), Directors Lounge (Berlin), and San Diego International Women Film Festival. Forster is also the founder and director of a non-profit nomadic new media art space, the LiveBox Gallery Forster's trajectory as an artist began with careers in microbiology and business, each experience presented a pathway to her current practice. Observation and authenticity are the bedrock of her work. As a microbiologist her preferred medium was a microscope; today it is a camera. Forster's fascination with the world beneath the microscope transformed to the extraordinary arena played out beyond the lens. She is forever fascinated by the capacity of the "third eye" to capture what is missed or denied. Today Forster is most challenged by the globalization of mass media and its impact on our relationships, with each other and with our environs.

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