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"Wall of Sol Process Colors", 20 x 20 inches, Faber-Castell Pitt artist pigment ink pens and Polychromos color pencil on Stonehenge 100% cotton paper.
Minimal geometric ink drawing. Seemingly six ink lines compose this drawing. In actuality each line is constructed of many lines drawn in close proximity, some colored in with pencil. The process printing colors in this drawing are inspired by a photo in "Sol LeWitt: 100 Views" of wall drawings 396, which also happens to incorporate an 8-point geometric figure.

This geometric figure is one of an ongoing series of drawings in which the color choices are inspired by books in my collection of architecture, interior design, and art books.

Mary Wagner, "Wall of Sol Process Color Geometry", 20 x 20 inches, Faber-Castell Pitt artist pigment ink pens and Polychromos color pencil on Stonehenge 100% cotton paper. 

Pin holes are in the paper as pins hold down my drawing apparatus.
Minimal geometric ink drawing. Seemingly six ink lines compose this drawing. In actuality each line is constructed of many lines drawn in close proximity, some colored in with pencil. The process printing colors in this drawing are inspired by a photo in "Sol LeWitt: 100 Views" of wall drawings 396, which also happens to incorporate an 8-point geometric figure.

This geometric figure is one of an ongoing series of drawings in which the color choices are inspired by books in my collection of architecture, interior design, and art books.

Mary Wagner, "Wall of Sol Process Color Geometry", 20 x 20 inches, Faber-Castell Pitt artist pigment ink pens and Polychromos color pencil on Stonehenge 100% cotton paper. 

Pin holes are in the paper as pins hold down my drawing apparatus.
Minimal geometric ink drawing. Seemingly six ink lines compose this drawing. In actuality each line is constructed of many lines drawn in close proximity, some colored in with pencil. The process printing colors in this drawing are inspired by a photo in "Sol LeWitt: 100 Views" of wall drawings 396, which also happens to incorporate an 8-point geometric figure.

This geometric figure is one of an ongoing series of drawings in which the color choices are inspired by books in my collection of architecture, interior design, and art books.

Mary Wagner, "Wall of Sol Process Color Geometry", 20 x 20 inches, Faber-Castell Pitt artist pigment ink pens and Polychromos color pencil on Stonehenge 100% cotton paper. 

Pin holes are in the paper as pins hold down my drawing apparatus.
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Wall of Sol Process Color Geometry Drawing

Mary Wagner

United States

Drawing, Ink on Paper

Size: 20 W x 20 H x 0.1 D in

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$445

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About The Artwork

Minimal geometric ink drawing. Seemingly six ink lines compose this drawing. In actuality each line is constructed of many lines drawn in close proximity, some colored in with pencil. The process printing colors in this drawing are inspired by a photo in "Sol LeWitt: 100 Views" of wall drawings 396, which also happens to incorporate an 8-point geometric figure. This geometric figure is one of an ongoing series of drawings in which the color choices are inspired by books in my collection of architecture, interior design, and art books. Mary Wagner, "Wall of Sol Process Color Geometry", 20 x 20 inches, Faber-Castell Pitt artist pigment ink pens and Polychromos color pencil on Stonehenge 100% cotton paper. Pin holes are in the paper as pins hold down my drawing apparatus.

Details & Dimensions

Drawing:Ink on Paper

Original:One-of-a-kind Artwork

Size:20 W x 20 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Going round-and-round is the central principle and action of Mary Wagner’s drawing practice. At the core, these drawings are simple, curvilinear paths arching about some absent center like an interstellar object flirting about a gravity well. The rigorous lines warm and complicate through repetition. Patterns pile on top of each other. The slim edge takes on form and depth, like cotton candy wisps or subatomic particles, cohering into something a bit more solid. Value and texture suggest dimension and movement. These things coax and combine into a sort of non-subject; or a subjective subject matter, inviting the viewer to project themselves. They are exercises in minimal purity, or expressions of chaos and order. They are complicated networks or psychedelic dreamscapes. Wagner was born and raised in rural Wisconsin. She lives and draws in Chicago. Her artwork is in private collections around the world.

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