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Woman in a Red Kimono – 02-07-21 Drawing

Corné Akkers

Netherlands

Drawing, Graphite on Paper

Size: 11.7 W x 8.3 H x 0 D in

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$1,785

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About The Artwork

Woman in a Red Kimono This drawing of a woman in a red kimono is based on a session with my regular model. It so happened that I teamed up with a student of mine who rents a lovely studio in The Hague. Much bigger than my own studio it was perfect for model sketching, also because of the lovely sofa she has. Another student could bring along a smashing red kimono. Since I was busy doing my short Geesje Kwak series this came as a great opportunity. Time to take a little side step and do this one while Geesje still is on my easle. A New Love for Realism Perhaps it is an understatement to say I have no particular love for realism. However, there are some reasons to deviate from this. I already had a cubistic work in progress and frankly I was keen on studying satin textures and folds. Another reason was the model and textiles around her seemed to merge into eachother from a tonal point of view. Abstracting them would not have turned for the benefit of them all. Moreover, I was attracted to the subtle shifts in tonality of it all, almost embedding the model in the negative space perfectly. Boxing in the Motif The lower part of the composition showed a lot of dark plains, due to the satin turning dark there. The background in the top section was a little too light so I decided to darken that one up. This way the model and the fabrics are boxed in to the centre of the depiction. This position came early during the session and I think her face still was in cheerful expectation of the pose we would choose. Sometimes these not premeditated casual expressions are the best. Anyway, back to my oil painting for the rest of July. Graphite pencil drawing (Sakura 0.5 mm, 4B) on Talens Bristol paper (21 x 29.7 x 0.1 cm – A4 format) Artist: Corné Akkers

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:11.7 W x 8.3 H x 0 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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