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1 of 11 - Limited Edition 1 of 11 Artwork

Manuel J Branco

United States

Mixed Media, Digital on Paper

Size: 17.4 W x 13 H x 0.1 D in

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$544

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About The Artwork

digital abstractions build quite like actual physical paintings do - with pigment on canvas. they evolve layer after layer. you take advantage of mistakes and modify or erase (paint over) just as you would on a physical canvas. i could never recreate of deconstruct these digital pieces any more than i could a painting with pigment on canvas. the trick is to know when the piece is finished. creating high art is always a battle - a balance between skill and selectivity. art is a language like chemistry or physics. it's not a coherent or linear language but a language non the less. you either speak it or you're simply put off or puzzled with what your eye and mind is contemplating. abstraction breaks down. it can be very complex because your always staring at zero. each piece is an experiment.

Details & Dimensions

Mixed Media:Digital on Paper

Artist Produced Limited Edition of:1

Size:17.4 W x 13 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I'm a Boston-based artist working in multiple media and genres including painting, digital work, photography and sculpture. I'm currently working with a Nikon D610 & D810 cameras/lenses as well as HD cell cameras such as the Motorola one hyper 64 MP. My digital manipulations and post-production photographic work, I use a variety of digital tools such as Adobe Photoshop Elements and Irfanview. I'm working increasingly with cell cameras to produce images - especially candid and street photography. Cell phones are so ubiquitous now you can get away with a lot more. People aren't so intimidated by their use even in more intimate locations. I've been using a moto X pure with a powerful 21 MP rear camera and have just upgraded to their new 64 MP rear camera in the Motorola one hyper edition. I've made a good part of my living as an R&D lab technician for high tech firms but have always been a struggling dedicated artist. My strongest influences are Francis Bacon / Cy Twombly / Antony Gormley / Sigmar Polke / Hans Hofmann / William de Kooning / Rauschenberg / Jasper Johns / Thomas Struth just to name a few. I specialize in abstraction and demolition/disaster porn as it has been referred to - as in the ruin porn genre. I'm drawn to the textures, patterns, colors, and chaos - scenes of neglect and detritus as well as street photography and passing strangers. I typically move from pop to grunge seamlessly + everything in between! I'm always testing visual forms and genres. I like to play and experiment. It's actually difficult for me to stay in one place. It all depends on what I'm looking at at any given time and place. I have little interest in popular convention or the addiction to the prejudices of polite society. I'm not especially fond or sympathetic to religious and political dogmas. manuelbranco 02/22/2018 “We plan our lives according to a dream that came to us in our childhood, and we find that life alters our plans. And yet, in the end, from a rare height, we also see that our dream was our fate. It's just that providence had other ideas as to how we would get there. Destiny plans a different route, or turns the dream around, as if it were a riddle, and fulfills the dream in ways we couldn't have expected.” -Ben Okri

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