VIEW IN MY ROOM
United States
Mixed Media, Fabric on Soft (Yarn, Cotton, Fabric)
Size: 36 W x 36 H x 4 D in
Ships in a Box
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
The price is $1861 (plus shipping) The last two years have seen a new trend of so called patriots flying all black American flags, symbolizing “no quarter given” and may even imply a willingness to use (lethal) violence against fellow citizens, who they perceive as threatening their narrow vision of what the U.S. is supposed to look like, how they believe our government is supposed to function, or what they think freedom is. “Justice is the end of government. It is the end of civil society. It ever has been, and ever will be, pursued, until it be obtained, or until liberty be lost in the pursuit. A coalition of a majority of the whole society could seldom take place upon any other principles, than those of justice and the general good.” —James Madison "America will not be destroyed from the outside. If we falter and lose our freedom, it will be because we destroyed ourselves." -Abraham Lincoln
Original Created:2021
Subjects:Political
Mixed Media:Fabric on Soft (Yarn, Cotton, Fabric)
Artist Produced Limited Edition of:3
Size:36 W x 36 H x 4 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Sol Hill’s camera-based artwork is a form of technological mysticism, capturing images from the world, but showing us an alternate vision, full of errant visual incidents and covert meanings. The artist allows both reality and his intuitive intentions to reveal themselves with an unexpected poignancy. His process is both technological and poetic, showing the limits of the visible and the possibilities of seeing beyond it. Hill refers to his digitally captured photographs as “Metagraphs” because he employs digital sensors to record energies both visible and invisible to the human eye. He permits a variety of digital noise – extraneous energy in the form of electromagnetic energies, heat, and cosmic rays – to affect the image. Purist traditionalists might consider this technique a “false exposure”. However, the process he employs alters recognizable forms, producing a kind of meta-vision and revealing aspects of reality that we do not normally see. In this way he expands his vision and gives the viewer a look into a vast mysterious zone beyond our limited perception. These complex but meditative images, connected by components of science and spirituality are immersed in a palpable sense of time, absorbing viewers in a rewarding experience. Hill’s “Metagraphic” works are a fusion of science, technology, spirituality and art, tangibly presenting an a visual thumbprint of the energetic nature of the universe in extraordinarily beautiful images. Cinematic and painterly, Hill’s dream-like digital images, have a presence that holds the viewer in a mesmerizing, momentary gaze. This unusual visual sensation is partly the result of his meta-visual digital capture process, then enhanced by an exceptionally skillful application of traditional presentation and archival methods. The counter-point of tradition and ambiguity results in a stunning image. Particularly, his figurative images imply a kind of passage across states of human existence. Anonymity in a variety of dramatic settings, is transfigured by both light and unknown energies. Individual identities subsumed in a field of scintillating particles. In all of Hill’s works, the viewer gets a glimpse of an existential, ephemeral world. There’s a life brilliantly present but mysteriously immersed in time beyond ordinary reality.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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