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Bomb Shelter Blanket Artwork

Stephen Dorsett

United States

Mixed Media, Vector on Other

Size: 0.4 W x 0.4 H x 0.1 D in

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About The Artwork

This is a computer illustration I made called Bomb Shelter Blanket. Some of my fondest memories from childhood are of playing in my uncle’s fallout shelter at the tail end of the cold war. The evangelical church and school I attended at the time convinced me that my family and I would soon be living cozily in the Bomb Shelter waiting for the Second Coming while the world outside perished under Russian radiation and the hooves of the Four Horsemen’s horses. Although, I no longer derive any pleasure from such thoughts-or even entertain them, I still enjoy the occasional post-apocalyptic film. Bomb Shelter Blanket is about the absurdity that anyone could be comforted by fantasies of apocalyptic misfortune. Directly after I finished this work, I created another computer illustration titled Post-Apocalyptic Paradise. If you get a chance, check it out on my website www.stephendorsett.com.

Details & Dimensions

Mixed Media:Vector on Other

Original:One-of-a-kind Artwork

Size:0.4 W x 0.4 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Artist Statement: My paintings of decorated mass-produced objects attempt to raise questions about contemporary materialism and waste. The mechanical uniformity of mass-produced objects like cars, bottles, and cameras makes them interchangeable and hence disposable. Traditionally, the ethnic, socioeconomic, and political signifiers inherent in decorative patterns have added cultural value to hand-made objects like pottery, textiles, woodwork, and stonework. This cultural value has led to the preservation of these handmade objects in museums and private collections. In my paintings, a hybrid of ornamental patterns infuse mass-produced objects with political, social, and economic connotations intended to make the objects culturally relevant and worthy of preservation. My sources of ornamentation are quite varied; patterns from Appalachian quilts, Hawaiian shirt designs, and Japanese Kimonos are just a few examples. Superimposed over mass-produced objects, these patterns highlight the irony that companies spend millions of dollars designing and marketing products that are immediately tossed after consumption. Commercial society is materialistic in nature and has no long term appreciation for materials. My paintings envision a remedy to this situation where individualized ornamentation leads to the reuse and preservation of mass produced objects.

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