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Czech Republic
Mixed Media, Acrylic on Canvas
Size: 31.5 W x 35.4 H x 1.4 D in
Ships in a Crate
Shipping included
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About Brunhild’s Roses: on a chilly september evening 2023, in a finite commemorative gesture, the gifted East German born flutist, Brunhild Fishcher, brazenly set fire to an abundant collection of post-concert rose bouquets representing her explorational, exceptionally expensive forty-year musical career - morphed into ashes. Aesthetically what follows is a work hinged to music, memory, & passage of time. It is a monumental wrestling match with inanimacies– sound, soul, spirit & the sublime. It is an exploration of polarities: dissonances & harmonies, collisions & dance, being & non-being. It aims to invoke the states of chromesthesia & other perilous paths of seeing that require reckless abandonment, and possibly a shot of whisky. Brunhild’s Roses is mixed media: pastel, gouache, ink, & acrylic; the process of its creation mimic’s Brunhild Fischer’s musical looping method. Hence, it is a painting over a painting over a drawing over a painting etc…
Mixed Media:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:31.5 W x 35.4 H x 1.4 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Czech Republic.
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Czech Republic
Jeanette Lamb works in historical collage. Drawing from a wide selection of resources, she combines literature, light, traditional mediums & digital technologies in an attempt to solicit questions about what it is to see, to communicate, to relay the experiences of life to another. Her works most often draw inspiration from a spattering of historical & present contexts. Compositions are frequently layered with historical documents -- musical scores dating from 1900’s. The fragments are surrounded by colors and imagery from the 20th-century that solicit awareness of political upheaval and its impact on the individual. She has been a member of the long-running, prestigious German women’s art collective, GEDOK. Her works have been published in Leipzig Zeitgeist (2012), University of Iowa The Hunger (Visual Verse, 2016) Prose, Duende (Godard College, 2015), Why Hasn't JB Already Disappeared (Delere Press, 2017), among others.
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