VIEW IN MY ROOM
Lara Artwork
France
Mixed Media, Acrylic on Canvas
Size: 15.7 W x 23.6 H x 0.8 D in
Ships in a Box
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Artist featured in a collection
About The Artwork
40 x 60 cm, paper and acrylic on canvas, 2024 There is a side of my personality that few people know: I am a big gamer. I love playing video games since childhood. One of my first PC games was Tomb Raider II and since then, Lara Croft, its heroine, has become one of my role models. From there to saying that it led me towards an archaeological career, there is only one step. Determined, solitary and adventurous, I quickly became attached to this woman who traveled the world in search of lost artifacts. In this painting, I wanted to pay homage to him. For this I used a promotional image from the opus The Last Revelation (found in a magazine dedicated to Tomb Raider), which I have just finished. In this game, Lara Croft does something really stupid. She breaks into Seth's tomb and steals an amulet anchored to his sarcophagus. And this gesture will have repercussions: it just frees the god from his prison and he then unleashes himself on the world. Suddenly, Lara sets off after him to repair her mistake. And this is also what is happening with this painting since it is a repentance! It's also up to me to correct my artistic mistakes...
Details & Dimensions
Mixed Media:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:15.7 W x 23.6 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how do we make our deep convictions coincide with the world around us? How to assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the gaze of others, social networks, money or even success? Annabelle rips, cuts and glues book pages and playing cards on the canvas, which she then covers with acrylic paint. The organic skin of the women that she portrays thus gives way to images and colors that make it possible to transcribe what they feel and who they are.
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