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Night with Gauguin - Limited Edition of 1 Artwork

Maya Almeida

United Kingdom

Mixed Media, C-type on Paper

Size: 23.6 W x 23.6 H x 0 D in

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$1,530

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About The Artwork

Based on and inspired by Vincent van Gogh's Almond blossom (1890) and “Self-Portrait with Bandaged Ear and Pipe (1889)”. The face in this piece is actually based on a Self-Portrait (1889) by Paul Gauguin from the same year. Van Gogh and Gauguin's troubled friendship was legendary and my choice of merging these two personalities in this iconic piece was deliberate. According to official versions, the disturbed Dutch painter cut off his ear with a razor after a row with Gauguin in 1888. Bleeding heavily, Van Gogh then walked to a brothel and presented the severed ear to an astonished prostitute called Rachel before going home to sleep in a blood-drenched bed. But two German art historians, who have spent 10 years reviewing the police investigations, witness accounts and the artists' letters, argue that Gauguin, a fencing ace, most likely sliced off the ear with his sword during a fight, and the two artists agreed to hush up the truth. In contrast to this history, I wanted to maintain some irony in the piece so chose the pick colour to convey a more romantic element to the relationship. The artwork was created as part of the Saatchi Art "The Other Avatars" NFT project. The project was a huge divergence for me, but this drove me to creatively explore in new and very exciting ways. I tried to marry old with new and understand as much as possible about what we believe to have held meaning for the artist, what fed and drove him…To do this I isolated myself for 3 weeks during the early stage of the creative process in order to truly inhabit another world. Van Gogh was most inspired by Japanese woodblock prints. This influence was so strong that Van Gogh’s even changed his style and subject matter. He was particularly taken by the Ukiyo-e style which were in essence pictures of an imagined floating fleeting world. This work alluded to the illusionary nature of the natural world… Woodblock prints gave Japanese culture a means of expression combining perception with culture and philosophy of life. Like my own work pieces show a reverence for nature. It is more idealist than realistic. For the creative process, Van Gogh’s self portraits were used as a base and digitally manipulated into the different personas. Just as in the age old process of woodblock prints which involved 4 stages of a process and different craftsmen, I digitally layered different photographs, sketches and experimental pieces from the studio on a blank canvas. Many were Images of the the ocean, the sky and also of fire captured in slow motion. This was completed in Photoshop in order to combine the various elements into a unique digital file. Throughout the process there was a conscious intention to attempt to incorporate the artists’ original style or source of inspiration: Bold contour lines, prominent diagonals, a high or absent horizon, a unique way or representing space with emphasis on foreground and background and giving prominence to the natural world. Single Edition – $1350 Print available in Hahnemühle Photo Rag® – a white, 100% cotton paper with a smooth surface texture – guarantees archival standards. Photo Rag® meets the highest industry standards regarding density, colour gamut, colour graduation and image sharpness while preserving the special touch and feel of genuine art paper    All Hahnemühle papers have been certified by independent institutes to be highly resistant to ageing and are vegan, in order to meet the highest requirements of customers. Achieving outstanding printing results and a high age resistance of over 100 years, the FineArt inkjet papers meet the highest standards for fine art applications and are perfect for long-term exhibitions, art collections and special editions. 308 gsm, 100% cotton Archival certified for 100+ years  ISO 9706 conform / museum quality for highest age resistance

Details & Dimensions

Mixed Media:C-type on Paper

Original:One-of-a-kind Artwork

Size:23.6 W x 23.6 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Maya Almeida Araujo has exhibited globally and had sites structurally adapted for her pieces. She is a multidisciplinary visual artist whose practice considers art as a platform for connection. With a focus on the element of water, the work floats between the spheres of still and moving images, artistic installation, and site specific work. Navigating the confluence of nature, art and technology, her work has developed through critical engagement with her own mind and body in a way that examines fundamental questions of how human beings relate to themselves and to their environment. Adopting a unique approach to each work, Maya draws on personal experience, culture and ancient philosophy to create visceral immersive experiences. An invitation to step into an imaginary world in a way that is both sensorial and profoundly intimate. It asks how we can come together and ultimately, heal. London is home but Maya was born in Lisbon to Portuguese/Belgian/German parents. She studied Biology at Imperial College, London. Her artistic path was one of auto-didacticism with training at Central Saint Martins, with best in class equipment manufacturers and under some of the greatest image makers such as Tim Flach and Lois Greenfield. The work consistently pushes technological boundaries in search for a truer realisation of the intended experience. Recent projects have involved developing custom rigs for film-making in the open ocean, multi-screen editing at ground breaking levels of resolution, colour depth, motion, interactive animation environments and producing hyper-textured ambisonic soundscapes. All in partnership with a collective of like-minded artistic collaborators and craftspeople without losing sight of her truth.

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