VIEW IN MY ROOM
Argentina
Mixed Media, Vector on Paper
Size: 39.3 W x 39.3 H x 0.1 D in
Ships in a Tube
Shipping included
¿Quienes Ganan? (Who Wins?) belongs to the Code Project. In cryptography the code hides the meaning of the messages. Codes are also understood as a set of norms or rules, conceptual constructions. In this case, since they are digital images, the code will be the binary base that allows manifestation on the various media. Allowing us various readings. Either on monitors or on photographic paper. The digital image sweeps expressed as vinario code to be traces on photographic paper. One is the image that can be seen from a distance, but when we get closer, signs, texts, and textures are revealed to the observer / interpreter, who can investigate more deeply with the magnifying glass. In the tyranny of communication, Ignacio Ramonet says, “Getting informed without effort is an illusion more in line with the advertising myth than with civic mobilization. Getting informed costs and it is at that price that the citizen acquires the right to participate intelligently in life democratic ”. The codes project stimulate inquiry. Since behind every "image" there are ideas, ways of perceiving the world. ------------------------------------ ¿Quienes Ganan? (Who Wins?) belongs to the Code Project. Digital Image, on matte photographic paper. The work was generated to be accompanied by a magnifying glass. ¿Quienes Ganan? It has written in Spanish in the central circles: José Hernández expresara en los consejos de Martín Fierro a sus hijos “Los hermanos sean unidos, porque ésa es la ley primera. Tengan unión verdadera en cualquier tiempo que sea porque si entre ellos pelean los devoran los de ajuera.” Palabras, validas para todos los tiempos y lugares. La sangre derramada en los suelos Latino Americanos y en todo el mundo, debería servirnos para recapacitar en que todos somos hermanos y estamos conectados, compartiendo este planeta. Lo que hacemos con los otros termina afectándonos directa o indirectamente. En “La Civilización Occidental y Cristiana” obra de León Ferrari, de 1965, se puede ver a Cristo crucificado sobre un avión F 105 de las fuerzas de Estados Unidos de Norte América. En una nota publicada en el diario La Jornada del 30 de Octubre de 2007 donde hablan sobre esta obra, lo citaran “No importa si el infierno es real o no –escribió Ferrari– lo que importa es que está en la cabeza de la gente desde hace miles de años. Y es lo que ha provisto, y provee, de justificación para matar gente. Desde las Cruzadas a la dictadura en nuestro país.” El 9 de agosto, de 1945 el bombardero B-29 apodado Bock’s Car se dirigía a la ciudad donde vivia Takashi Murakami, Kokura en Japon para lanzar la segunda bomba atómica Fat Man. Debido a las malas condiciones climáticas, se dirigieron hacia Nagasaki, dejando caer sobre el centro de la ciudad, la bomba atómica Fat Man, quedando la ciudad destruida. Takashi murakami refiriendose a su obra de 1991, Polyrhythm, dira “La paradoja de nuestra sociedad es que nosotros creamos modelos de soldados de plástico, que crean una base para la agresión y el asesinato” In the lower circle, where the skull is, it says: Todos perdemos con la muerte, unos la vida otros humanidad. This work is also manifested as video animation - https://vimeo.com/26552034
Mixed Media:Vector on Paper
Artist Produced Limited Edition of:5
Size:39.3 W x 39.3 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Argentina.
Customs:Shipments from Argentina may experience delays due to country's regulations for exporting valuable artworks.
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Argentina
Guillermo Jones, born in Buenos Aires, Argentina in 1977. Inquiring about the dilemma between being and appearance; The subtleties of the mind that result in "reality" an interpreted reality. From 2010 until now is professor in the specialization in Media and Technologies for pictorial production, Postgraduate U.N.A.
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