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we belong to the earth Artwork

visceral home

United States

Mixed Media, Concrete on Raw Clay Pigment

Size: 38 W x 49 H x 2 D in

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$4,950

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About The Artwork

a thank you to the earth, which I use to paint my heart. "we belong to the earth": concrete, plaster, sand, ground hematite, ground selenite, ground shells, raw clay pigment, crushed carnelian gemstone powder, raw iron oxide, raw Indian yellow clay, and wood stain. housed in a hand-crafted natural soft maple frame. "Dear dirt, I am sorry I slighted you, I thought that you were only the background for the leading characters—the plants and animals and human animals. It’s as if I had loved only the stars and not the sky which gave them space in which to shine. Subtle, various, sensitive, you are the skin of our terrain, you’re our democracy. When I understood I had never honored you as a living equal, I was ashamed of myself, as if I had not recognized a character who looked so different from me, but now I can see us all, made of the same basic materials— cousins of that first exploding from nothing— in our intricate equation together. O dirt, help us find ways to serve your life, you who have brought us forth, and fed us, and who at the end will take us in and rotate with us, and wobble, and orbit." —Sharon Olds

Details & Dimensions

Mixed Media:Concrete on Raw Clay Pigment

Original:One-of-a-kind Artwork

Size:38 W x 49 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Taylor (b.1994) and Connor Robinson (b.1992) are artists creating sculptural mixed media artwork using the moniker visceral home. Their works interpret the human psyche — for trauma and healing, the passage of time, and the relationship between humans and the natural world. Over the few years, they’ve honed in on a practice where the married partners collaborate: Connor creates handmade frames and surfaces on which Taylor paints abstract images. Their art is a kinship of two individual processes and personal meditative techniques that ultimately combine to achieve one thoughtfully balanced vision. The complexities of coping with cPTSD and substance use disorder are threaded throughout their works, revealing a timeline of visceral indentations of the emotional journey of healing. They create artwork to cope with the fear of uncertainty. From these monumental moments, a catalog of collections was born, channeling and transforming various emotions into something useful. With time, they let go of situations and relationships that held them hostage, releasing and transmuting that pain as a new creative avenue toward feeling understood, relieved, and valuable. An abstract expression of the heavy moments that would drown them if there was no cup to pour in. A celebration of the moments of joy and triumph. Their art is a tactile alternative to self-destruction. It is self-preservation. Pouring themselves into creating something that can translate that emotion into a tangible experience that can be visualized and felt viscerally is what they dream of as the ultimate solution to the condition of being human.

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