VIEW IN MY ROOM
Spain
Painting, Oil on Cardboard
Size: 118.1 W x 39.4 H x 0.2 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
It is a work of 4 parts a quadriptych. It is the same shape that changes in color and expression, the figure has been passed 3 times to another paper with a technique similar to monotype prints, but only with hand pressure between two cartons without engraving press and retouching each one. There are 3 images that have been inverted. The mixed technique is an investigation of several processes using wax pencil, diluted oil, gouache, brushes and cutter. It's glued paper on foam board. Each part is independent and measures 100 x 75 x 0.5 cm. They are not assembled or framed for the collector to frame it at their own taste. The united work measures 100 x 300 x 0.5 cm. They are all signed on the back and the number 2 is also signed on the front.
Multi-paneled Painting:Oil on Cardboard
Original:One-of-a-kind Artwork
Size:118.1 W x 39.4 H x 0.2 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Rafael Romero Masiá was born in Santiago de Compostela, Spain in 1953. ARTIST STATEMENT I think that my painting is eminently visceral; I am unable to paint if my body does not ask for it. If not, I prefer to read or do any other activity. I need to see clearly an idea, a stimulus (the sidewalks of Lisbon, a dream, a new technique or a new support) that excites me and pushes me to work. Then I usually do series of 40, 50 or 60 works, until I think the reef is over and the work becomes repetitive and boring. When the work becomes routine then I suspend and rest and wait for a new inspiration. Between one and another days or even weeks may pass. I conceive painting as a game, I have fun painting, although sometimes, of course I also suffer, when I don't get what I want. I like to investigate new techniques and materials (methacrylate sheets, newspaper, cardboard-pen, wood, old worn fabrics) that work with all kinds of materials (oil, acrylic, pigments, glues, waxes, greasy pencils or watercolor pencils) that work with brushes, spatulas, sandpaper, cutter, etc. Depending on the type of work and the result that I want to obtain, also always thinking about its durability. I pass without much modesty from figuration to abstraction or even hyperrealism or surrealism. According to the inspiration or mood of each moment. I think I'm not a colorist to use, that is, I like intermediate tones (gray, ocher, earth colors) more than strong and powerful colors, and in the figurative series I consider myself almost more cartoonist than a painter, while in the abstract series, what I try is to look for textures, shapes, tensions, color, balance, etc.
Artist featured by Saatchi Art in a collection
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