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"Agatha, c. 2022" unfinished Painting

Suzanne Tevlin

Canada

Painting, Oil on Canvas

Size: 36 W x 18 H x 2 D in

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About The Artwork

Well, here we are at last. The eighth, and final work in the “Topics of Cancer” series will be called “Agatha c. 2022” Agatha, like most modern women, has given up the idea of virgin martyrdom, and has chosen a more inclusive life for herself. Looking an awful lot like me during my recent medical procession, Agatha appears to have been set afloat on an arctic ice flow, but fear not, this is merely a painterly illusion. She has, however, drawn an amusing line between the massively intimidating Linear Accelerator, found in the radiation treatment unit, and the Ancient Egyptian sun god, Ra. This idea will amuse her for a few days whilst she ponders the planning CTs used to programme the same machine for her radiation treatments. The image just under her hand is of my own chest, taken about 4cm below my nipple, facing from my waist up towards my head. The area around my incision is circled in red, and the track of the machine is in yellow. A second image is the last image in the pile. It shows my right breast. Again, the incision is circled in red, and the track of the accelerator is in yellow. I only actually saw the 1st image, but it seems pretty basic, so I made up the 2nd. In the 1st the orbit of the machine was a half circle left to right around my torso, and in the 2nd it was from my head to my waist, my body having been moved in between needless to say. When it stops at the waist and stares you in the face, the tendency is to close your eyes, but what good would that do against radiation? If one meets the machine eye to eye, you can observe the digital pattern of the radiation that has been programmed. This changes shape, as well as colour, until it disappears. Very interesting.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 18 H x 2 D in

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Suzanne Tevlin is an artist/educator at the University of Toronto. She has also lectured at OCAD, Parsons-Paris and virtually every major Museum in Europe and North America.She is the author of "The Conspiracy of Silence; Theodore Gericault's Raft of the Medusa and the Abolitionist Movement".As an international lecturer and artist she spent 12 years in Europe during which time she did research and lectured at Le Musee Ephrussi de Rothschild and La Villa Kerylos in France. During her time in France she also founded "The Tevlin Perspective: Art History from the Artist's point of View", art talks about the mysteries of creativity.Suzanne has had numerous exhibitions in Paris, Monaco, along the Cote d'Azur and in London, as well as in Canada. She is represented in collections throughout Europe and North America. www.suzannetevlin.com www.thetevlinatelier.blogspot.com

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