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'All Hell Can't Stop Us Now' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 24 W x 30 H x 0.2 D in

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Transmission third world war third round A decade of the weapon of sound above ground No shelter if you're lookin' for shade I lick shots at the brutal charade As the polls close like a casket On truth devoured A Silent play in the shadow of power A spectacle monopolized The camera's eyes on choice disguised Was it cast for the mass who burn and toil? Or for the vultures who thirst for blood and oil? Yes a spectacle monopolized They hold the reins and stole your eyes Or the fistagons The bullets and bombs Who stuff the banks Who staff the party ranks More for Gore or the son of a drug lord None of the above fuck it cut the cord Lights out Guerrilla Radio, turn that shit up Lights out Guerrilla Radio, turn that shit up Lights out Guerrilla Radio, turn that shit up Lights out Guerrilla Radio Contact I highjacked the frequencies Blockin' the beltway Move on D.C. Way past the days of Bombin' M.C.'s Sound off Mumia gwan be free Who gottem yo check the federal file All you pen devils know the trial was vile An army of pigs try to silence my style Off 'em all out that box It's my radio dial Lights out Guerrilla Radio, turn that shit up Lights out Guerrilla Radio, turn that shit up Lights out Guerrilla Radio, turn that shit up Lights out Guerrilla Radio, turn that shit up It has to start somewhere, it has to start sometime What better place than here, what better time than now? All hell can't stop us now All hell can't stop us now All hell can't stop us now All hell can't stop us now All hell can't stop us now All hell can't stop us now ‘Guerilla Radio’ by Rage Against the Machine Songwriters: Brad J. Wilk / Timothy Commerford / Tom Morello / Zack M. De La Rocha "Guerrilla Radio" is a song by American rock band Rage Against the Machine and the lead single from their 1999 album The Battle of Los Angeles. It became the band's only Billboard Hot 100 song, charting at #69. The band won the Grammy Award for Best Hard Rock Performance for this song. The song was featured in mountain biking film, “Strength In Numbers”. “Guerrilla Radio" was also featured on the soundtracks for video games such as Tony Hawk's Pro Skater 2, Madden NFL 10 and Guitar Hero Live, as well as being a downloadable track for the Rock Band series. History: "Guerrilla Radio" was performed live on the Late Show with David Letterman in 1999. During the commercial break, "Bulls on Parade" was played and was re-joined in progress while the credits were playing. Letterman joked that "he hoped they (Rage Against the Machine) weren't neglecting their school work". The performance was controversial due to Zack de la Rocha giving the middle finger on live TV and wearing a "Free Mumia Abu-Jamal" T-shirt. On January 28, 2000, documentary film maker Michael Moore convinced campaigning politician Alan Keyes to mosh in a truck with young teenagers listening to "Guerrilla Radio". Keyes, who was campaigning for the Republican nomination at the Iowa caucuses, agreed to join in the mosh for the endorsement of Moore's satirical television show, The Awful Truth. The song was covered by lounge/comedy group Richard Cheese and Lounge Against the Machine, whose band name also spoofs Rage. In April 2007, Alanis Morissette covered it live. On July 2007, the song's video for "Guerrilla Radio" was ranked #45 on MuchMusic's 50 Most Controversial Videos for extreme amounts of profanity. Though, it appeared in RTPNadverts in the summer of 2006, as an instrumental song. This song is featured on the album Body of War: Songs that Inspired an Iraq War Veteran. "Guerrilla Radio" made its live debut on September 11, 1999, at the Oxford Zodiac in England. The song is one of 31 music files in the Sony BMG v. Tenenbaum case, which resulted in finding the individual file-sharer liable for copyright infringement in July 2009, demanding an award of $22,500 a song. In December 2009, Guerilla Radio was placed #54 on Channel V's Top 1000 Noughties Music Videos of the decade, Countdown. "Guerrilla Radio" is played at Los Angeles FC home matches when the team scores a goal. It was also on the soundtrack and opening sequence for the video game Tony Hawk's Pro Skater 2, and returned to the soundtrack when the re-mastered Tony Hawk's Pro Skater 1 + 2was released in 2020. In Japan, Fuji Television used it as the theme song for its broadcasts of Pride Fighting Championships. The Battle of Los Angeles is the third studio album by American rock band Rage Against the Machine, released on November 2, 1999, by Epic Records. The album was nominated at the 43rd Annual Grammy Awards for Best Rock Album, and was recognized by both Time and Rolling Stone magazines as the best album of 1999. The Battle of Los Angeles would be the last full-length studio album of original material by Rage Against the Machine before their first breakup in 2000, although they did release a covers album that same year, which was released after the band's breakup. Rage Against the Machine (often abbreviated as RATM or shortened to Rage) is an American rock band from Los Angeles, California. Formed in 1991, the group consists of vocalist Zack de la Rocha, bassist and backing vocalist Tim Commerford, guitarist Tom Morello, and drummer Brad Wilk. Their songs express revolutionary political views. As of 2010, they have sold over 16 million records worldwide. The band was nominated for induction into the Rock & Roll Hall of Fame in their first year of eligibility in 2017, then again in 2018, 2019, and 2021, though the bids failed. Rage Against the Machine released its self-titled debut album in 1992 to commercial and critical success, leading to a slot in the 1993 Lollapalooza festival; in 2003, the album was ranked number 368 on Rolling Stone's list of the 500 greatest albums of all time. The follow-up albums, Evil Empire (1996) and The Battle of Los Angeles (1999), were also successful; both albums topped the Billboard 200chart. During their initial nine-year run, Rage Against the Machine became one of the most popular and influential bands in music history, and had a large influence on the nu metal genre which came to prominence during the second half of the 1990s. They were also ranked No. 33 on VH1's 100 Greatest Artists of Hard Rock. In 2000, Rage Against the Machine released the cover album Renegades and disbanded after growing creative differences led to De la Rocha's departure. De la Rocha started a low-profile solo career, while the rest of the band formed the rock supergroup Audioslave with Chris Cornell, the former frontman of Soundgarden; Audioslave recorded three albums before disbanding in 2007. The same year, Rage Against the Machine announced a reunion and performed together for the first time in seven years at the Coachella Valley Music and Arts Festival in April 2007. Within the next four years, minus a sabbatical in 2009, the band continued to perform at more live venues and festivals around the world before going on hiatus once again in 2011. In 2016, Morello, Commerford and Wilk formed a new band, Prophets of Rage, with B-Real, Chuck D, and DJ Lord; that band released one EP and one full-length studio album before disbanding in 2019. After an eight-year hiatus, Rage Against the Machine announced in November 2019 that they were reuniting for a world tour, which was initially scheduled to start in 2020 but was ultimately postponed to 2021 and again to 2022, due to the COVID-19 pandemic. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 30 H x 0.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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