VIEW IN MY ROOM
The guiding unit in a family is often an elaborate scheme. Often, it is hard to tell where one ends, and the other begins. There are hopes aspirations, as well as a myriad of symbols; symbols of hope, of superstition, of civility and learning, of decay, and disparity. We must be careful to treat each shape differently, yet offer a better way. It is so easy to wind up going through the grinder. Yes, another in the " Personal fatalism ". A huge glazed oil, the original measures thirty six by forty eight inches. Its frame, constructed by myself, is a birch stained, pine. As always, you are welcome to read my personal philosophy, learn more about the painters I believe have brought me to my way of thinking. Copy and paste this url in your address box; http://fatalismpaintingmovement.blogspot.com/ Thank you.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:48 W x 36 H x 2 D in
Frame:Other
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Based out of a modest home studio in New York, De Yos is a Painter, and Draughtsman, whose work deals primarily in the chaotic flux that is Human Nature. His work explores the tensions between this element and, technology, superstition, the family unit dynamic, and lastly, what he has come to term as ' The myth of progress'. Much of the time the work is laced with a strong personal aspect, and in style is quite expressive. Now in his mid fifties, De Yos has wielded some sort of mark making implement in his hand as far back as his memory will take him. Although he has had some formal technical instruction-much of it through books and literature- De Yos is mostly a self taught painter, yet, one well versed in all aspects of the history of Art. He often draws upon this breadth of knowledge in the creation of his varied style of works.
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