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Ashes to Ashes Painting

Dries Ketels

Belgium

Painting, Watercolor on Paper

Size: 23.6 W x 19.7 H x 0.1 D in

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751 Views
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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

This painting received multiple prizes including: - 1ste prize ‘TUUËBETEGOARE’, visual art competition - 8th place in 'painting of the year' 2016, painting competition This painting is significantly higher priced then other paintings of the same artist. If you want to know more about this feel free to contact the artist through his website or social media handles. (free of charge with no pressure to buy) With his series ‘Ashes to Ashes’ the artist is searching for a new type of realism. A realism in line with the values and movements of our century. Therefore he developed new painting methods and additional concepts. Traditional realism is based on aspects of illusion, the realism this artist proposes is based on facts. He reduces illusionistic aspects just like abstract paintings but without reducing its realistic quality. The painting shown here is an interpretation of a cartographic image of our world a few million years ago (Pangea). In order to recreate this shape the artist first of all asked himself the following question: "which entity is most responsible for the shape of our world?" The answer, without going in too much detail, is temperature. In order to create this image, to shape the world, the artist decided to bring the painting method as close as possible to the method 'nature itself' used to shape our world. He decided to replace the traditional brushes with temperature. The painting method that he developed out of this thought is an authentic and new method exclusively used by this artist. The image is a 'wet in wet watercolor’ made with fire (+-1500 °c), Further it is also worth mentioning that the painting is made out of the three basic components of color (red, yellow and blue), just like our earth that is made out of simple basic elements. It needs no explanation that the method an extremely rare and interesting form of realism generates. For example the craters/silent volcano’s that you can see on the image are a document of volcano's that actually originated while painting because of the high temperatures that are used. The title 'Ashes to Ashes' of course refers first of all to the cycle of life where every form of matter eventually returns to its original state, all states in between are nothing but temporarily. And secondly, because the creative process is very similar to any form of destructive process, which high temperatures in the form of fire most of the time are, is the creative act a balance act between destruction and creation. Thereby providing a blink towards our modern society that for some reason seems to be very good at the destructive side of this balancing act, the destroying of our environment. I will not go in detail into the painting method but it is important to understand a part of it in order to feel the complexity of the technique. As said above, the brushes are replaced with temperature. The artist didn’t touch the paper/painting (with any tool) at any point except for the drawing underneath the painting, while painting he only manipulated the picture with temperature. This painting is a ‘wet in wet’ painting, painted in one moment (in one moment that means no multiple drying processes, no multiple layers added after drying). Normally it’s impossible to generate a lot of structure (hard edges etc.) within a ‘one moment wet in wet’ watercolour painting, but with the techniques that the artist developed it is possible to generate hard edges with a wet in wet application. Enjoy Now, what to read next?: - an article about his works in Beautiful Decay: http://beautifuldecay.com/2015/06/24/lightning-strikes-artist-uses-electricity-create-captivating-portraits/ - an article about his works in StudioVox: https://studiovox.com/blog/fine-artists-you-should-know-2 PS: This style of painting is very dangerous (don't try this without the essential knowledge). The methods needed to paint these paintings are protected with patents! Pss: One of the artworks out of this series Ashes to Ashes got into the selected artworks at celeste art prize.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:23.6 W x 19.7 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

When I create a series of artworks I ask myself often the following question: “What would the art world, two centuries ago, have thought about this particular series?” Whenever the answer to that question is “They would surely love it.” I know I’m doing something wrong, that it's not progressive enough and not 22nd century oriented. It is my method to get rid of the ballast. In order to get forward we need to get rid of the ballast that holds us back, things that were very useful in the past but that are now out-dated, not ‘beautiful’ anymore, … is ballast that we need to let go. It’s the good old destruction-construction model, destroying parts of the past in order to build the future out of these ‘old’ building blocks. One of the most important attitudes that helped me in developing 'Abstract Realism' and becoming what I am is the simple act of going left when everybody else is going right. It’s the only way to discover the new and push the boundaries forward. Just like life, this creative process is a balancing act, what do we keep of our past and what do we let go. Watercolor is the medium of the future for painting! I strongly believe this. It’s simply the medium that can blend in most easily with all other fields of humanity (science, economy, etc.). Oh yes, before I forget. I should also implement some of the traditional stuff in a statement with terms like: self-motivation, autodidact, ambition, etc. and perhaps a philosophy difficult enough so you don't have the guts to say I'm wrong and strange enough so you can see that I'm an artist. All of that just to show you that I'm serious with my art. Well, let me put it like this: I'm very serious! The best of luck for all of you,

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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