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Bitches Brew (after Miles Davis) (2024) Painting
United Kingdom
Painting, Acrylic on Canvas
Size: 60.2 W x 48 H x 1.6 D in
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About The Artwork
Bitches Brew (after Miles Davies) (2024) Miles Davies innovative and progressive jazz album Bitches Brew (1970) is an experimental assemblage of sounds that swirl in different directions at once. It feels unsettling and intriguing at the same time, a discovery of sound that propels forward provocatively with no beginning or end - amorphous sounds that have a dark aura which are encapsulated in my painting. A mountain landscape with threatening dark clouds that overshadow a blue sky with a cess pit of colour and energy brewing at its base. This painting synesthetically connects to the music in an abstract way. At its heart lays an inexplicable magic, captured in a moment of time.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:60.2 W x 48 H x 1.6 D in
Frame:Brown
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Masked Sphinx (Melissa Budasz) studied fine art painting at Camberwell and Norwich Art Schools (1997) and lives and works in Kent. She has curated and exhibited in several large-scale projects, events, and exhibitions including Personal Structures organised by the European Cultural Centre (EEC) at Palazzo Bembo, Venice, Italy (2024), the Uniqlo Tate Lates, Tate Modern (2018), a solo exhibition at Conway Hall, London (2017), and in group shows that include the Gerald Moore Gallery, Dulwich Picture Gallery, Guys Hospital and the Stephen Lawrence Centre. She ran South London Women Artists (2013-2016) and during this time she was the founder and editor of ArtVerve, a journal on women’s art (2014-2017).
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